AE: Plot is a kind of paranoia, actually. It implies that events are connected, that characters are connected, just because they are in the same book. I like the way Pynchon exposed the essential paranoia of plot in The Crying of Lot 49. When I read that book as a student, I realized that if you bring coincidence or the mechanics of plotting into a book, it begs all the questions about who is writing this book and why, or why you’re making this mechanical toy do these things. That, to me as a reader, is slightly alienating. But, you know, things do happen in real life. People die in car accidents. There are connections and coincidences.
She is an Irish writer, there is more here, interesting throughout. I also liked this sentence:
The unknowability of one human being to another is an endless subject for novelists.
And this bit about writing:
It’s like getting a herd of sheep across a field. If you try to control them too much, they resist. It’s the same with a book. If you try to control it too much, the book is dead. You have to let it fall apart quite early on and let it start doing its own thing. And that takes nerve, not to panic that the book you were going to write is not the book you will have at the end of the day.
Hat tip goes to The Browser.