That is the subject of my new Bloomberg column, here is one bit:
My second recommendation is to restore fully the ability of the NEA to make grants to individual artists, thereby undoing changes that were made in 1994. That would diminish the role of the middlemen and support artists rather than art museums. This too has the potential to boost creativity, as large institutions with overhead tend to be more artistically conservative than individual artists or arts groups. Such a change would take the NEA back to its earliest and arguably most effective period near its origin in 1965, when it supported creators such as Alvin Ailey, Merce Cunningham, George Segal, Ed Ruscha and William Gaddis (all grant recipients in the first year alone), among other luminaries.
You may recall that there is a reason why the NEA moved away from making grants to individual artists. The agency had supported several artists and art projects that displayed nudity or other images that many people considered pornographic or offensive. At the time, Congress did not wish to be affiliated so directly with such expressions of the human creative impulse. Therefore grants were shifted to higher-level arts institutions, with the understanding that the institutions would not embarrass the federal government in this manner.
Is it possible that, under the forthcoming administration, this embarrassment constraint has eased somewhat?
I also call for stopping the transfers of the National Endowment for the Arts to the state arts agencies, on the grounds that federal arts taste usually is superior.
Do read the whole thing.