Results for “fergus mccullough”

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Here is the audio, video, and transcript, conducted over a long meal at Mama Chang restaurant in Fairfax.  Here is the episode summary:

As they dined, the group discussed why the diversity in Chinese cuisine is still only just being appreciated in the West, how far back our understanding of it goes, how it’s represented in the Caribbean and Ireland, whether technique trumps quality of ingredients, why certain cuisines can spread internationally with higher fidelity, what we can learn from the different styles in Indian and Chinese cooking, why several dishes on the table featured Amish ingredients, the most likely mistake people will make when making a stir fry, what Lydia has learned managing an empire of Chinese restaurants, Fuchsia’s trick for getting unstuck while writing, and more.

Joining Tyler, Fuchsia, and Lydia around the table were Dan Wang, Rasheed Griffith, Fergus McCullough, and Sam Enright.

Here is one excerpt:

WANG: Yes, that’s right. If I can ask a follow-up question on this comparison between India and China. Maybe this is half a question also for Tyler. Why do we associate Indian cuisine so much more with long simmers, whereas Chinese cuisine — of course, it is a little bit of everything, as Fuchsia knows so well, but it is often a little bit more associated with quick fries. What is the factor endowment here of these two very big countries, very big civilizations having somewhat divergent paths, as we imagine, with culinary traditions?

DUNLOP: That’s a really interesting question. It’s hard to answer because I don’t really know anything about Indian food. I did have a really interesting conversation with an Indian who came on my tour to Yunnan earlier this year because I was speculating that one of the reasons that Chinese food is so diverse is that the Chinese are really open-minded, with very few taboos. Apart from Muslims eating halal food and some Buddhists not eating meat, there’s a great adventurous open-mindedness to eating.

Whereas in India, you have lots of taboos and religious and ritual restrictions. That’s one reason that you would think it would be a constraint on the creativity of Indian food. But this Indian I was talking to, who’s a food specialist — he reckoned that the restrictions actually forced people to be more creative. He was arguing that Indian food had all the conditions for diversity that Chinese does.

In terms of cooking methods, it’s hard to say. Again, I don’t know about Indian food, but the thing about China is that there’s been this intense thoughtfulness about food, really, for a very long time. You see it in descriptions of food from 2,000 years ago and more.

In the Song Dynasty, this incredible restaurant industry in places like Hangzhou, and innovation and creativity. I suppose that when you are thoroughly interested in food like the Chinese and thinking about it creatively all the time, you end up having a whole plethora of different cooking methods. That’s one of the striking things about Chinese cuisine, that you have slow-cooked stews and simmered things and steamed things and also stir-frying. That might explain why several different methods have achieved prominence.

COWEN: Before I comment on that, Lydia, on the new dish, please tell us.

The dishes are explained as they were consumed, the meal was excellent, of course the company too.  A very good episode, highly rated for all lovers of Chinese food.  And here is Fuchsia’s new book, Invitation to a Banquet: The Story of Chinese Food, self-recommending.  And here are previous MR mentions of Fuchsia, including links to my two earlier CWTs with her.