Results for “straussian reading”
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My Conversation with Bryan Caplan

Bryan was in top form, I can’t recall hearing him being more interesting or persuasive.  Here is the audio and text.  We talked about whether any single paper is good enough, the autodidact’s curse, the philosopher who most influenced Bryan, the case against education, the Straussian reading of Bryan, effective altruism, Socrates, Larry David, where to live in 527 A.D., the charm of Richard Wagner, and much more.  Here is one excerpt:

COWEN: You love Tolstoy, right?

CAPLAN: Yeah. You love Tolstoy because here’s a guy who not only has this encyclopedic knowledge of human beings — you say he knows human nature. Tolstoy knows human natures. He realizes that there are hundreds of kinds of people, and like an entomologist, he has the patience to study each kind on its own terms.

Tolstoy, you read it: “There are 17 kinds of little old ladies. This was the 13th kind. This was the kind that’s very interested in what you’re eating but doesn’t wish to hear about your romance, which will be contrasted with the seventh kind which has exactly the opposite preferences.” That’s what’s to me so great about Tolstoy.

Here is one of my questions:

What’s the fundamental feature in Bryan Caplan–think that has made you, unlike most other nerds, so much more interested in Stalin than science fiction?

Here is another exchange:

COWEN: You think, in our society in general, this action bias infests everything? Or is there some reason why it’s drawn like a magnet to education?

CAPLAN: Action bias primarily drives government. For individuals, I think even there there’s some action bias. But nevertheless, for the individual, there is the cost of just going and trying something that’s not very likely to succeed, and the connection with the failure and disappointment, and a lot of things don’t work out.

There’s a lot of people who would like to start their own business, but they don’t try because they have some sense that it’s really hard.

What I see in government is, there isn’t the same kind of filter, which is a big part of my work in general in politics. You don’t have the same kind of personal disincentives against doing things that sound good but actually don’t work out very well in practice.

Probably even bigger than action bias is actually what psychologists call social desirability bias: just doing things that sound good whether or not they actually work very well and not really asking hard questions about whether things that sound good will work out very well in practice.

I also present what I think are the three strongest arguments against Bryan’s “education is mostly signaling” argument — decide for yourself how good his answers are.

And:

COWEN: …Parenting and schooling in your take don’t matter so much. Something is changing these [norms] that is mostly not parenting and not schooling. And they are changing quite a bit, right?

CAPLAN: Yes.

COWEN: Is it like all technology? Is the secret reading of Bryan Caplan that you’re a technological determinist?

CAPLAN: I don’t think so. In general, not a determinist of any kind.

COWEN: I was teasing about that.

And last but not least:

CAPLAN: …When someone gets angry at Robin, this is what actually outrages me. I just want to say, “Look, to get angry at Robin is like getting angry at baby Jesus.” He’s just a symbol and embodiment of innocence and decency. For someone to get angry at someone who just wants to learn . . .

COWEN: And when they get mad at me?

CAPLAN: Eh, I understand that.

Hail Bryan Caplan!  Again here is the link, and of course you should buy his book The Case Against Education.

My Conversation with Agnes Callard

She is a philosopher at the University of Chicago, here is the transcript and audio.  We covered Plato and Socrates, what Plato is on about at all, the virtues of dialog and refutation, whether immortality would be boring, Elena Ferrante, parents vs. gangsters and Beethoven vs. Mozart, my two Straussian readings of her book, Jordan Peterson, Shakespeare’s Hamlet, the best defense of reading the classics, and the Agnes Callard production function (physics to classics to philosophy), all in suitably informationally dense fashion.

Here is one excerpt:

COWEN: I have a friend who’s interested in longevity research…and he tells me there’s maybe a 10 percent chance that I actually will live forever due to possible scientific advances. I’m skeptical, but let’s just say I were to live forever. How bored would I end up, and how do you think about this question?

CALLARD: [laughs] I think it depends on how good of a person you are.

COWEN: And the good people are more or less bored?

CALLARD: Oh, they’re less bored. One thing is that you’re kind of having to live with yourself for a very long time if you’re immortal, or even just live for a couple thousand years, and a bad self, I think, is hard to live with. By bad, I don’t just mean sort of, let’s say, cruel to people or unjust. I also mean not attuned to things of eternal significance.

I think you can get by in a 100-year life not being too much attuned to things of eternal significance because there’s so much fascinating stuff out there, and one can go from one thing to the next and not get bored. But if we’re talking about eternity, or even thousands of years, you’d better find something to occupy you that is really riveting in the way that I think only eternal things are.

I think that what you’re really asking is something like, “Could I be a god?” And I think, “Well, if you became godlike, you could, and then it would be OK.”

COWEN: Let me give you a hypothesis. You can react to it. That which is cultural, say, listening to music, I would get bored with, even though wonderful music maybe continually will be created. But those activities which are more primeval, more biological — parenting, sex, food, sleep, maybe taking a wonderful shower — that are quite brute, in a way, maybe I would substitute more into those as an immortal? Yes?

CALLARD: I don’t see why you wouldn’t get just as bored of bodily pleasures.

COWEN: You’re programmed for those to be so immediate and riveting, right? You evolve to be maybe an 80-year-old being, or perhaps even a 33-year-old being, so you are riveted on things like reproduction and getting enough sleep. And that stays riveting, even when you’re on this program to live 80,000 years.

CALLARD: I think that at least some of those activities stay riveting for us over the course of our lives because their meaning changes…

And:

COWEN: Let’s turn now to your new book, Aspiration: The Agency of Becoming. There’s a sentence from the book. Let me read it, and maybe you can explain it. “Proleptic reasons allow you to be rational even when you know that your reasons aren’t exactly the right ones.” What’s a proleptic reason?

This was my favorite part, though perhaps few of you will get the joke:

COWEN: On aspiration, what do you think of Jordan Peterson?

CALLARD: I had this odd feeling. He only became known to me quite recently, in the past couple of weeks. I was listening to him talk, and I was thinking he sounds a little bit like Socrates, but not Socrates. I was like, “Who is that? Who is he reminding me of?” And it’s Xenophon’s Socrates.

Here you can buy her just-published book Aspiration: The Agency of Becoming.  You cannot follow her on Twitter.

Iron Fist is Weak

Iron Fist, the latest Marvel-Netflix, superhero show, is by far the weakest. [Mild spoilers] The show has been accused of cultural appropriation because it casts a white actor rather than an Asian as a kung-fu superhero (Iron Fist is also white in the comic book but those were unenlightened times). I could live with that if the white actor actually fit the role. Unfortunately, lead actor Finn Jones, whatever his other talents, doesn’t look imposing or powerful. Bruce Lee wasn’t a big guy but he was ripped and you could see at once that despite his charm you didn’t want to mess with this guy. In contrast, Danny Rand, as portrayed by Finn, is a sniveling, crying, whining child who can’t get over the death of his mommy. Despite having supposedly been subjected to beatings, deprivation, and fifteen years of intense martial-arts training, Rand shows none of the hardness that surviving, let alone thriving, in such an environment produces. His fist may be iron but nothing else is.

The fight scenes with Jones are, with one exception, lackluster. The exception is a fight between the Iron and Drunken fist. Drunken Fist (Zhou Cheng) portrayed by Lewis Tan steals the scene. Not only does he clearly give Iron Fist a beat down (despite the nominal outcome) he does so with humor, intelligence and charisma. Watching this scene you cannot help but think, heh, they should have made Lewis Tan the Iron Fist. In fact, Tan was considered for the role! Ironically, after meeting Danny Rand, many characters ask, “Why did this guy get chosen to be the Iron Fist?” It’s a very good question.

https://youtu.be/EB30OV6VXGU

The politics of Iron Fist are also annoying. Danny Rand inherits a powerful firm and in one of his first acts as owner he forces it, over the objections of the board, to sell its new drug at cost. What a sweet guy. Blech! The show does give some pretty good arguments for why this is a bad idea–namely it will reduce R&D and because of subsidies from charities and governments the drug will in any case go to everyone who needs its–so you could give Iron Fist a Straussian reading but I don’t give the writers that much credit.

The most serious failing of Iron Fist is that it breaks the cardinal rule: superheroes need supervillains. Outstanding performances by Vincent D’Onofrio as Kingpin and David Tennant as Kilgrave made for riveting conflict in Daredevil and Jessica Jones respectively.  Luke Cage disappointed for its lack of a supervillain. Iron Fist is even worse as it jumps from villain to villain to villain, none of whom are especially super and some of whom are not even all that villainous.

The “hand” are supposed to be the supervillains but they come in (of course) right and left versions. The “left” hand are drug dealers and assassins. But the motives, actions, and consequences of the right hand are difficult to see. Although it’s not clear how the hand operates, their leader makes a case that their actions improve society. The Iron Fist almost joins the hand until he discovers that they have a bunch of computers and surveillance equipment. Then he and sidekick Colleen Wing go on an all out killing spree. What??? I’m no fan of the NSA but surveillance isn’t necessarily evil, Batman also had his sources of information. Iron Fist, however, has difficulty controlling his anger. He acts rashly and with little thought. He sees the world in childish ways. His actions often have unintended consequences and that is why in any battle between the Iron Fist and the invisible Hand, I will take the invisible Hand.

Deuteronomy and complacency

A few of you have been asking me about the Straussian readings of The Complacent Class.  One of them refers to Deuteronomy 4:25-26:

“When you have had children and children’s children, and become complacent in the land, if you act corruptly by making an idol in the form of anything, thus doing what is evil in the sight of the Lord your God, and provoking him to anger, I call heaven and earth to witness against you today that you will soon utterly perish from the land that you are crossing the Jordan to occupy; you will not live long on it, but will be utterly destroyed. “

Here is external commentary on the passage: “It may be surprising that the result of complacency is not atheism but idolatry.”

Best movies of 2016

45 Years, British drama about a creaky marriage.

The Boy & the World.  A Brazilian animated movie, it actually fits the cliche “unlike any movie you’ve seen before.”  Preview here, other links here, good for niños but not only.  Excellent soundtrack by Nana Vasconcelos.

The Second Mother.  A Brazilian comedy of manners about social and economic inequality, as reflected in the relations between a maid, her visiting daughter, and the maid’s employer family.  Now, to my and maybe your ears that sounds like poison, because “X is about inequality” correlates strongly with “X is not very good,” I am sorry to say.  This movie is the exception, subtle throughout, and you can watch and enjoy it from any political point of view.  It helps to know a bit about Brazil, and it takes about twenty minutes for the core plot to get off the ground.  Links here.

Cemetery of Splendor, Thai movie by Apichatpong Weerasethakul, here is a good review.

City of Gold, a documentary with Jonathan Gold doing the ethnic food thing in Los Angeles.

Hunt for the Wilderpeople is an original movie, mostly about race, full of cinematic allusions (LOTR, First Blood, Smash Palace, classic Westerns, Butch Cassidy, Thelma and Louise, so many more) and Kiwi finery as well.  None of the reviews I read seem to get it and I don’t want to send you to any of them.

The Innocents, how did those Polish nuns get pregnant?

Maggie’s Plan, a fun comedy, not at the top of this list but intelligent comedies are a dwindling species.

Hell or High Water

Ixcanul, a Mayan movie from Guatemala, might this story of an unwanted pregnancy be this year’s best movie?  Here is one useful review.

Sausage Party, beyond politically incorrect, I kept on thinking I would get sick of the stupid animation and yet I never did.  I remain surprised they let this one play in mainstream theaters.

Sully.  He should have turned the plane around immediately under any plausible calculus, and he didn’t, so you have to give this movie the Straussian reading.

Weiner is a splendid movie with many subtle points, including in the philosophical direction.  In another life, Huma Abedin could have been a movie star.  She has exactly the right mix of distance and involvement, and she dominates every scene she is in, even when just sitting quietly in the background.  Um…I guess she is a movie star.  Starlet.  Whatever.

Difret, an Ethiopian legal drama.

Andrei Tarkovsky, Ivan’s Childhood (reissue).  This is one of Tarkovsky’s worst movies, and yet one of the best movies in virtually any year.

American Honey

Sky Ladder

The Handmaiden, by Park Chan-wook.  Imperfectly eroticized violence, but beautiful nonetheless.

Arrival

Elle, by Paul Verhoeven.

Nocturnal Animals, by Tom Ford.

The bottom line

My top picks are Ixcanul, American Honey, Hunt for the Wilderpeople, Cemetery of Splendor, and Sky Ladder, with Arrival being the best mainstream Hollywood movie.

Heath Responds to Tabarrok

Joseph Heath has written an interesting and thoughtful comment on my review of his excellent book Enlightenment 2.0 (fyi, we have never communicated but it turns out that Heath is a long time reader of MR.). Samuel Hammond concisely summarized on twitter part of Heath’s response:

In reply to @, Joseph Heath shares the dire Straussian reading of his own book: The US is Rome burning

Quite accurate but I want to focus on a different point.

Finally, Tabarrok suggests that I am “too sanguine about the role of politics.” I thought I was being fairly pessimistic about politics. I think the nub of the disagreement between Tabarrok and myself on this point – and certainly the basis of our major differences of political ideology – is that I am much more sanguine about the role of the state than he is. This is not the same as being sanguine about democratic politics. For example, he points out that:

In a large electorate, no individual’s vote is likely to change the outcome of an election. As a result, it doesn’t pay to be informed about politics nor to think about politics in objective and rational terms. Consider an individual who spends time and effort to be informed about politics. What does this individual receive in return for their investment? The same thing as the uninformed individual. Since better information doesn’t lead to better consequences, it doesn’t pay an individual to be informed.

I couldn’t agree more….Indeed, the sort of considerations that motivate Tabarrok’s enthusiasm for making decisions through betting markets are, I would guess, quite similar to the ones that motivate my own enthusiasm for cost-benefit analysis. The key difference is that Tabarrok (and Bryan Caplan) tend to assume that democracy gives “the people” much greater control over the behaviour of the state than it actually does. In the background there is, I suspect, a somewhat public-choicy picture of legislation as a complex process of preference-aggregation. By contrast, I follow Ian Shapiro in thinking that we need to get past these sorts of “general will” theories of democracy.

There is one point in the last chapter where I say what I really think, but again, it might easily be overlooked. So let me just say, for the record, that I was also dead serious when I wrote the following paragraph (and that it comes closest to summarizing my considered view):

It is important to recognize that modern democratic political systems involve a delicate compromise between, on the one hand, the desire for public control of decision-making and, on the other hand, the need for rational, coherent policy. Democracies need to be democratic, but they also need to work, in the sense that they need to produce a state that effectively discharges its responsibilities. Thus they have a variety of institutional features that allow them to function even when the democratic public sphere is completely degraded. They do so largely by shifting power and control away from elected representatives toward experts. Even in the United States, where this is difficult to do, one can find examples all over. The most obvious example is the enormous role that the Supreme Court has played in making decisions that, in most other democracies, would be left to the legislature. But one can see it in other areas as well, such as the amount of autonomy that government agencies have or the increased use of cost-benefit analysis in public decision-making (338).

So if you want to know what I really think, it’s that we are not going to be able to fix the problem of increased irrationalism in politics — at best we will be able to limit its most toxic effects. As a consequence, the legislature will increasingly become a sideshow, with the two other branches of the state assuming more and more of the responsibility for actually governing.

Heath has hit on an important similarity and difference in our views. We are both skeptical about democracy as a way of making rational, coherent policy. But in response to the defects of democracy I want to devolve more decisions to the individual and the market while Heath wants to centralize more decisions to the state and expert bureaucracies.

One of the reasons that I oppose the extension of democratic politics into every aspect of modern life is precisely that in trying to do too much, democracy delivers incoherence, gridlock and frustration, forces that eventually undermine its own legitimacy. I worry about democratic legitimacy because I see democracy as a check and balance on Leviathan (while Heath sees it as a check on government by experts).

The legislature has become a sideshow. But I worry, because the more Congress is held in contempt the greater the support for a bold executive that takes charge, makes decisions and gets things done. Under these pressures, executive power has grown not just in the United States but also in Canada and Great Britain (on this theme see F.H. Buckley’s The Once and Future King.) But for all its faults, the legislature and the rule of law are more conducive to liberty than the executive and the administrative state. Legislators are satisfied with reelection and a bit of pork but executives hunger for greatness and in so doing they promote the real dangers, idolatry, the centralization of power and war.

In short, I worry that the pathologies of democracy drive the demand not for rational, technocratic government but for Caesarism.

Hayek on Mill and the Mill-Taylor Friendship

That is the newly published volume 16 of The Collected Works of F.A. Hayek, edited by Sandra J. Peart.  Of course this is splendid from beginning to end, including Peart’s introduction, the letters, Hayek’s commentary, and assorted documents, and the book even contains three very nice poems written by Harriet Taylor.

Is Hayek here blaming Taylor for moving Mill in a collectivist direction?  Is that the Straussian reading of this book and the reason why Hayek did it?

If there were a phrase for “one step above and beyond self-recommending,” this volume would get it.

Tuesday assorted links

1. What kind of deflation is coming to Spain?

2. Johnny L. Matson, editor.

3. I say it is cruel to kick your robotic dog.  (Please note that the associated video is disturbing, though safe for work.)

4. Will we see law firm IPOs?

5. Is it hard to reform disability insurance?  I say wanting to do so is step one.

6. Via Greg Mankiw, a Kuznets heir is selling his Nobel Prize.

7. Six Straussian readings of Fifty Shades of Grey: “Grace’s name is clearly a nod to Alec Trevelyan, James Bond’s antagonist in GoldenEye and the defining cultural representation of post-Cold War Russian treachery in the Anglo-American mind.”

The best films of 2014

I found this to be a diffuse year in movies, one where old-style mainline releases lost their grip on a lot of multiplexes and opened up the market for more quality and diversity than we have seen for a long time.  My cinematic self came away from the year quite happy, yet without a clear favorite or a definite sense of which movies will last the ages.  Here are the ones I very much enjoyed or otherwise found stimulating:

The Invisible Woman, the secret love life of Charles Dickens.

Particle Fever, reviewed by me here.

Le Weekend, brutal tale of a vacation and a marriage collapsing.

Under the Skin, Scarlet Johansson in Scotland, to say more would be spoilers.

The Lunchbox, resembles an old-style Hollywood movie about a correspondence romance, yet set among the Indian middle to lower middle class.

Viola, an Argentinean take on Shakespeare’s Twelfth Night, condensed into 65 minutes.

A Touch of Sin, Chinese, brutal, it did not see mainstream release in most cities, I saw it in London.

Godzilla, Straussian review by me here.

Transformers 4, reviewed by me here.

Obvious Child (under the Straussian reading only)

Ilo, Ilo, a movie from Singapore about a Filipina immigrant.  And I had the best dark chocolate gelato I’ve had in America, right after watching it at the Angelika pop-up.

The One I Love, an excellent movie about mind games, love, and commitment.  This was perhaps the most clever movie of the year and also the most underrated.

Skeleton Twins

Lucy, the energy and style overcame the absurdity.  That gives Scarlett Johansson two for the year.

Fury, an old-style WWII movie with Brad Pitt, there is a good David Denby review here.

Interstellar, my review is here, here is one Straussian reading.

Of that whole list, for favorites I would pick Fury as #1, along with Touch of Sin.  Both of them need to be seen on a large screen.

For TV, the Modern Orthodox Jewish dating show Srugim was a clear first, this year I didn’t watch many movies on video but thought Terence Malick’s 2012 To the Wonder had been underrated.

The new Godzilla movie, *Godzilla* (minor spoilers in post)

I know I am late on this one, but I thought it was pretty damned good, well above expectations.  I feel comfortable placing it in the top five Godzilla movies of all time.  The visuals are spectacular but not overdone, and it pays appropriate homage to its sources, including the Japanese original but also Hitchcock’s The Birds.  The movie also treats nuclear weapons use with the moral seriousness it deserves, which is rare these days.

And is there a Straussian reading?  Well, yes (did you have to ask?).  The film is really a plea for an extended and revitalized Japanese-American alliance.  The real threat to the world are the Mutos, not Godzilla, who ends up defending America, after the lead Japanese character in the movie promises the American military Godzilla will be there as our friend (don’t kill me, that is not a major spoiler as it is telegraphed way in advance).

The Mutos, by the way, are basically Chinese mythological dragons, and an image of two kissing Muto-like beings is shown over the gate of San Francisco’s Chinatown three different times in the movie, each time with greater conspicuousness.  The Mutos base themselves in Chinatown in fact.  Note that the Mutos can beat up on Godzilla because of their greater numbers, but as for one-on-one there is no doubt Godzilla is more fierce.  And the name of the being — Muto — what does that mean?  I believe loyal MR readers already know, and apologies for reminding you.  General Akira Muto led the worst excesses committed by Japanese troops during the Rape of Nanjing, perhaps the single biggest Chinese grievance against The Land of the Rising Sun, and thus the beings are a sign of the Chinese desire for redress and revenge.  Unless of course the right military alliance comes along to contain them and save the world…

The references to Pearl Harbor and the Philippines are not accidents either.

Stephen Williamson has doubts about ngdp targeting

Do read his entire post, it is full of content and difficult to excerpt.  I would make a few points:

1. A reasonable range of monetary regimes may not matter so much under good times, but we are choosing the regime for the occasional very bad time when a strong response is needed.

2. Williamson’s points about the instability of seasonal ngdp are good, but arguably considering seasonal cycles renders all or most macro theories somewhat incoherent.  Given the extreme agnosticism we should then end up in, what is a good policy rule?

3. I believe overnight financial markets could adjust to a variety of reasonable regimes, and indeed the evidence across nations appears to confirm this.

4. Scott for one would definitely admit the all-importance of eliminating interest on reserves.

5. I would add a Straussian reading of ngdp targeting: “The Fed won’t ever do it, because they don’t like to tie their hands.  But talking about it may steel their will, and give them a policy rationale, when more expansionary action would be desirable.”

Oddly Williamson does not consider what I consider to be the strongest objection to ngdp targeting, namely that in times of extreme crisis, when loan markets are collapsing, it may force the central bank into a dangerous-and-not-really-output-restoring ratio of currency/credit to meet the ngdp target.

On the off chance that Scott writes a reply to Williamson’s critique, I will link to it in due time.  Update: Here it is, I read it after writing my post.  It is interesting to compare our responses.

Assorted links

1. Emily Chamlee-Wright is to be provost and dean at Washington College.

2. NBA geography.

3. A Straussian reading of Tabarrok’s Launching the Innovation Renaissance, by the excellent Eli Dourado; “Launching the Innovation Renaissance represents Alex Tabarrok standing athwart history, yelling “Back up 800 years!””.

4. Guns don’t kill people, cannonballs do.

5. The language that is German, a response to Michael Lewis.

6. Farmer woman carrying dynamite home.

Three on Launching

1. The excellent Reihan Salam writes, “Tabarrok’s Launching the Innovation Renaissance is my favorite manifesto in years. In a better world, it would be the roadmap for the U.S. center-right.” Small steps towards a much better world, Reihan!

2. A truly Straussian Straussian Reading of Launching the Innovation Renaissance.

3. I will be speaking at Inventing the Future: What’s Next for Patent Reform at AEI in Washington, DC on Wed. March 14, 12:30-2:00.