Results for “best book” 1715 found
David Brooks writes:
If you know someone who lives alone ask them to join NextDoor, which is Facebook for neighborhoods. It helps them stay in touch with those right around them. Vital in a crisis.
I am not familiar with that project, but I would trust David’s judgment in such matters. How else can people volunteer usefully, especially if they do not wish to leave their homes? Keep in mind that useful volunteering is also a good way to keep people occupied and at home!
Please do leave your suggestions in the comments. if nothing else, even “placebo volunteering” could be highly worthwhile. I will put up some of the best ideas in a later post.
Running out of things to read? Do you ever have the sneaky feeling that books might be overrated? Well, for some variation at the margin try reading art books. That’s right, books about art. Not “how to draw,” but books about the content and history of art. Some of them you might call art history, but that term makes me a little nervous. Just go into a good art museum, and look at what they are stocking in their bookstore. Many of them will be picture books, rather than art history in the narrower, more scholarly sense of that word.
Art books offer the following advantages:
1. They are among the best ways to learn history, politics, and yes science too (advances in art often followed advances in science and technology). Even economic history. Since the main focus is the art, they will give you “straight talk” about the historical period in question, rather than trying to organize the narrative around some vague novelty that only the peer reviewers care about.
2. They are often very pretty to look at. You also feel you can read them in small bites, or you can read only a single chapter or section. The compulsion to finish is relatively weak, a good thing. You can feel you have consumed them without reading them at all, a true liberation, which in turns means you will read them as you wish to.
3. They have passed through different filters than most other books, precisely because they are often “sold into the market” on the basis of their visuals, or copyright permissions, or connection with a museum exhibit, or whatever. Thus they introduce variation into your reading life, compared to say traditional academic tomes or “trade books,” which increasingly are about gender, race, and DT in an ever-more homogenized fashion.
4. They are among the best ways of learning about the sociology of creativity and also “the small group theory” of history.
5. These books tend not to be politically contentious, or if they are it is in a superficial way that is easily brushed off. (Note there is a whole subgenre of art books, from theory-laden, left-wing presses, with weird covers, displayed in small, funky Manhattan or Brooklyn bookstores where you can’t believe they can make the rent, where politics is all they are about. Avoid those.)
6. A bookstore of art books is almost always excellent, no matter how small. It’s not about comprehensiveness, rather you can always find numerous books there of interest.
7. Major reviewing outlets either do not cover too many art books, or they review them poorly and inaccurately. That suggests your “marginal best book” in the art books category is really quite good, because you didn’t have an easy means to discover it.
8. You might even wish to learn about art.
9. This whole genre is not about assembling a reading list of “the best art books.” Go to a good public library, or museum bookstore, and start grabbing titles. The best museum bookstore I know of is at the Metropolitan Museum of Art in New York.
10. It is also a very good introduction to the histories and cultures of locations such as China and India, where “straight up” political histories numb you with a succession of names, periods, and dynasties, only barely embedded in contexts that make any sense to you.
The subtitle is Selected Essays 1997-2019, here is one excerpt:
A genre is hardening. It is becoming possible to describe the contemporary ‘big, ambitious novel’. Familial resemblances are asserting themselves, and a parent can be named: Dickens. Such recent novels as Rushdie’s The Ground Beneath Her Feet, Pynchon’s Mason & Dixon, DeLillo’s Underworld, David Foster Wallace’s Infinite Jest, and Zadie Smith’s White Teeth overlap rather as the pages of an atlas expire into each other at their edges.
The big contemporary novel is a perpetual motion machine that appears to have been embarrassed into velocity. It seems to want to abolish stillness, as if ashamed of silence. Stories and sub-stories sprout on every page, and these novels continually flourish their glamorous congestion. Inseparable from this culture of permanent storytelling is the pursuit of vitality at all costs. Indeed, vitality is storytelling, as far as these books are concerned.
I do not love the big, ambitious novel, as portrayed here. As for Wood, the best parts of this book are excellent, and none of the lesser parts would seem to lower the sustainable growth rate of gdp.
I am happy to recommend these selections, the links going to my earlier remarks about them:
Spider-man: Into the Spider-Verse (animated)
Campernaum (Ethiopian refugee in Beirut)
Ash is Purest White (Chinese, obscure)
High Life (best science fiction movie of the year?)
Long Day’s Journey into Night (big screen only, Chinese obscure)
Woman at War (Icelandic, wacky)
Booksmart (full of energy on the screen)
Echo in the Canyon (L.A. music scene in the 1960s and beyond)
The Farewell (American-Chinese, about a dying relative)
Honeyland (Macedonian, about bee keepers)
Inside Bill’s Brain (Bill Gates, short documentary)
Parasite (Korean, the Straussian reading is anti-egalitarian)
JoJo Rabbit (modern-day anti-Nazi comedy, mostly they pull it off)
The Rise of Skywalker
A Hidden Life
From those my top picks would be Marriage Story — the American redo of Scenes from a Marriage, and then Honeyland. Overall it was a much better year for movies than last year.
As for marginal choices, Ad Astra and Knives Out were two movies I liked, and came close to making this list, but didn’t.
As for historic cinema, I am very glad I purchased the complete Blu-Ray set of Ingmar Bergman movies, spectacular transfers and the American viewer can watch the true, complete version of Persona for the first time.
As for the rest of the year, I have high hopes for The Souvenir, Little Women and also the new Adam Sandler movie, but I have not yet seen them. The documentary For Sama has potential too.
What am I forgetting?
Oops, this blog post isn’t about Facebook at all! Here goes:
Records and interviews show that colleges are building vast repositories of data on prospective students — scanning test scores, Zip codes, high school transcripts, academic interests, Web browsing histories, ethnic backgrounds and household incomes for clues about which students would make the best candidates for admission. At many schools, this data is used to give students a score from 1 to 100, which determines how much attention colleges pay them in the recruiting process.
Definitely recommended, talking to strangers is one of the most important things you do and it can even save your life. This book is the very best entry point for thinking about this topic. Here is a summary excerpt:
We have strategies for dealing with strangers that are deeply flawed, but they are also socially necessary. We need the criminal justice system and the hiring process and the selection of babysitters to be human. But the requirement of humanity means that we have to tolerate an enormous amount of error. That is the paradox of talking to strangers. We need to talk to them. But we’re terrible at it — and, as we’ll see in the next two chapters, we’re not always honest with each other about just how terrible at it we are.
One recurring theme is just how bad we are at spotting liars. On another note, I found this interesting:
…the heavy drinkers of today drink far more than the heavy drinkers of 50 years ago. “When you talk to students [today] about four drinks or five drinks, they just sort of go, “Pft, that’s just getting started,'” the alcohol researcher Kim Fromme says. She says that the heavy binge drinking category now routinely includes people who have had twenty drinks in a sitting. Blackouts, once rare, have become common. Aaron White recently surveyed more than 700 students at Duke University. Of the drinkers in the group, over half had suffered a blackout at some point in their lives, 40 percent had had a blackout in the previous year, and almost one in ten had had a blackout in the previous two weeks.
Poets die young. That is not just a cliche. The life expectancy of poets, as a group, trails playwrights, novelists, and non-fiction writers by a considerable margin. They have higher rates of “emotional disorders” than actors, musicians, composers, and novelists. And of every occupational category, they have far and away the highest suicide rates — as much as five times higher than the general population.
It also turns out that the immediate availability of particular methods of suicide significantly raises the suicide rate; it is not the case that an individual is committed to suicide regardless of the means available at hand.
Returning to the theme of talking with strangers, one approach I recommend is to apply a much higher degree of arbitrary specificity, when relating facts and details, than you would with someone you know.
In any case, self-recommending, this book shows that Malcolm Gladwell remains on an upward trajectory. You can pre-order it here.
What You Do Is Who You Are: How to Create Your Own Business Culture. It is the best book on business culture in recent memory, here is one bit:
When Tom Coughlin coached the New York Giants, from 2004 to 2015, the media went crazy over a shocking rule he set: “If you are on time, you are late.” He started every meeting five minutes early and fined players one thousand dollars if they were late. I mean on time…”Players ought to be there on time, period,” he said. “If they’re on time, they’re on time. Meetings start five minutes early.”
Two lessons for leaders jump out from Senghor’s experience:
Your own perspective on the culture is not that relevant. Your view or your executive team’s view of your culture is rarely what your employees experience.
You can pre-order the book here, due out in October.
That question has been floating around Twitter, here are my picks:
Sylvia Plath, The Bell Jar.
Janet Frame, Autobiography.
Claire Tomalin, A Life of My Own.
Marjane Satrapi, The Complete Persepolis.
Golda Meir, My Life.
Joan Didion, The Year of Magical Thinking.
Zora Neale Hurston, Dust Tracks on a Dirt Road.
Temple Grandin, Thinking in Pictures.
Am I allowed to say Virginia Woolf, corpus?
Nadezhda Mandelstam, Hope Against Hope: A Memoir.
Helen Keller, The Story of My Life.
Anne Frank of course.
What else? Maybe Carrie Fisher? Maya Angelou? Erica Jong? St. Therese of Liseaux? (I Am Rigoberto Menchu turned out to be a fraud.) There are a variety of important feminist books that read like quasi-autobiographies, but maybe they don’t quite fit the category. What is a memoir and what is an autobiography in this context? Do leave your suggestions in the comments.
It is also worth thinking about how these differ from well-known male autobiographies…
Only, travel writing as a genre is per se almost impossible. To eliminate all repetitions you would have had to refrain from telling what you saw. This is not the case in books devoted to descriptions of discoveries, where the author’s personality is the focus of interest. But in the present instance the attentive reader may well find that there are too many ideas and insufficient facts, or too many facts and not enough ideas.
That is from his November 1866 letter to Hippolyte Taine, reproduced in the Francis Steegmuller collection. Here is my recent post on why most travel books are not good enough. Here is a 2006 MR post on which are the best travel books.
I have thought about this question for at least twenty years, Elisa Gabbert spells it out (NYT):
My favorite spot in my local library — the central branch in Denver — is not the nook for new releases; not the holds room, where one or two titles are usually waiting for me; not the little used-book shop, full of cheap classics for sale; and not the fiction stacks on the second floor, though I visit all those areas frequently. It’s a shelf near the Borrower Services desk bearing a laminated sign that reads RECENTLY RETURNED.
This shelf houses a smallish selection of maybe 40 to 60 books — about the number you might see on a table in the front of a bookstore, where the titles have earned a position of prominence by way of being new or important or best sellers or staff favorites. The books on the recently returned shelf, though, haven’t been recommended by anyone at all. They simply limit my choices by presenting a near-random cross section of all circulating parts of the library: art books and manga and knitting manuals next to self-help and philosophy and thrillers, the very popular mixed up with the very obscure. Looking at them is the readerly equivalent of gazing into the fridge, hungry but not sure what you’re hungry for.
Is it better to spend time, at the margin, pawing through the “recently returned” cart, or the “New Arrivals” section or for that matter just the regular shelves? How about the books simply left on tables and abandoned?
The big advantage of the books on the carts is that they usually are not bestsellers. For bestsellers there is a waiting list, and they are held for another patron, never making their way to the cart. I say go for the carts.
This year produced a strong set of top entries, though with little depth past these favorites. Note that sometimes my review lies behind the link:
Varlam Shalamov, Kolyma Stories.
Gaël Faye, Small Country. Think Burundi, spillover from genocide, descent into madness, and “the eyes of a child caught in the maelstrom of history.”
Madeline Miller, Circe.
Karl Ove Knausgaard, volume six, My Struggle. Or should it be listed in the non-fiction section?
Can Xue, Love in the New Millennium.
Homer’s Odyssey, translated by Emily Wilson.
Uwe Johnson, From a Year in the Life of Gessine Cresspahl. I haven’t read this one yet, I did some browse, and I am fairly confident it belongs on this list. 1760 pp.
Which are your picks?
Just type in “Gulliver’s Travels,” and the first page will not show any editions you actually ought to buy. And there are so many sponsored ads for mediocre, copyright-less editions. If you type in “Gulliver’s Travels Penguin” you eventually will get to this, a plausible buy for the casual educated reader. And wouldn’t it be nice if someone told you the $156.31 Cambridge University Press edition is by far the best choice? — full of marginal annotations!
The process by which individuals become entrepreneurs is often described as a decisive moment of transition, yet it necessarily involves a series of smaller steps. This study examines how human capital and social capital are accumulated and deployed in the earliest stages of the entrepreneurial transition in the setting of “user entrepreneurship.” Using the unique dataset from Ravelry—the Facebook of knitters—I study why and how some knitters become entrepreneurs. I show that knitters who make the entrepreneurial transition are distinctive in that they have experience in fewer techniques and more product categories. I also show that this transition is facilitated by participation in offline social networks where knitters garner feedback and encouragement. Importantly, social and human capital appear to complement each other with social capital producing the greatest effect on the most skilled users. Broader theoretical implications on user innovation, the role of social capital, and entrepreneurship research are discussed.
Here is part of the concluding summary:
…the critical factor explaining why some creative knitters transition to designers is the feedback and encouragement they receive from fellow knitters and friends. With a carefully matched sample, difference-in-difference analysis verifies that the participation in an offline local networking group increases the likelihood of transition by 25%. Furthermore, the results suggest that social capital effect is largest among those with entrepreneurial human capital, as social capital complements human capital in knitters’ transition to
I have read through the entire paper and the whole thing is a gem.
I wrote this as a blog post for Penguin blog about ten years ago (when I guest-blogged for them), and it has disappeared from Google. So I thought I would serve up another, slightly different version to keep it circulating. Here goes:
Most of you should throw books out — your used copies that is — instead of gifting them. If you donate the otherwise-thrashed book somewhere, someone might read it. OK, maybe that person will read one more book in life but more likely that book will substitute for that person reading some other book instead. Or substitute for watching a wonderful movie.
So you have to ask yourself — this book — is it better on average than what an attracted reader might otherwise spend time with? Even within any particular point of view most books simply aren’t that good, and furthermore many books end up being wrong. These books are traps for the unwary, and furthermore gifting the book puts some sentimental value on it, thereby increasing the chance that it is read. Gift very selectively! And ponder the margin.
You should be most likely to give book gifts to people whose reading taste you don’t respect very much. That said, sometimes a very bad book can be useful because it might appeal to “bad” readers and lure them away from even worse books. Please make all the appropriate calculations.
Alternatively, if a rational friend of yours gives you a book, perhaps you should feel a little insulted.
How good is the very best next book that you haven’t read but maybe are on the verge of picking up? So many choices in life hinge on that neglected variable.
Toss it I say!