Results for “best non-fiction” 134 found
Monday assorted links
1. Kevin Kelly lists some heresies.
3. World’s largest cast-iron skillet travels down a Tennessee highway. And the now-deleted thread on Big Tech, work from home, loneliness, Covid, etc.
5. The variability and volatility of sleep.
6. More Chris Blattman non-fiction recommendations.
7. “Even according to exaggerated figures, China’s total fertility rate in 2021 was only 1.1-1.2, far below the 1.8 forecast by Chinese State Council in 2016, the 1.6-1.7 forecast by the Chinese Academy of Social Sciences in 2019, the 1.7 forecast by UN in 2019” Link here.
Tuesday assorted links
Monday assorted links
My favorite fiction of 2021
Marcel Proust, The Mysterious Correspondent: New Stories. Not the very best Proust, but even so-so Proust is pretty superb. These are fragments to be welcomed.
Andy Weir, Project Hail Mary. At least as good as The Martian, and arguably more conceptual.
Judith Schlansky, Verzeichnis einiger Verluste [Inventory of Losses]. Conceptual German novel with roots in Borges, not as good in English.
Patrick McGrath, Last Days in Cleaver Square. Unreliable narrator!
Karl Knausgaard, The Morning Star. The master returns with a full-scale novel, with theology galore.
Anne Serre, The Beginners. Short, French, about relationships, fun.
Sally Rooney, Beautiful World, Where Are You? She is quite the conservative, don’t be put off by the left-wing rhetoric.
Mario Levrero, The Luminous Novel. The best Uruguayan novel of all time?
Domenico Starnone, Trust. The better of the two “Elena Ferrante” novels released in English this year?
As for retranslations of classics, I very much like the new Oedipus Rex trilogy and the new translation of the Kalevala. I hope they are fiction! And kudos to Sarah Ruden’s work on the Gospels, I am not sure where to put them…
Overall I thought this was an excellent year for reading fiction, much better than the few years preceding. My number one pick here would be the Andy Weir, noting that, for purposes of your norming, I do not usually select science fiction for this designation. (Here is my earlier CWT with Andy Weir.)
Note that I just ordered a whole new batch of appealing-sounding novels (FT link), and I will read some before year’s end, so I will give you an update when appropriate, most likely toward the very end of the calendar year. And my non-fiction list will be coming soon. And also note: “missing” titles from this list are very often missing on purpose!
Read more!
*Partition: How and Why Ireland Was Divided*
By Ivan Gibbons, why can’t all non-fiction books be this good? At 148 pp. brief and to the point, perfectly clear, full of substance, and a model presentation. You can buy it here, headed for this year’s “best of” list.
Why you should use *Modern Principles* for your class
Alex has had numerous posts on Modern Principles, but here is my two cents. A textbook, as the name indicates, is a book. It has to be conceived of as a book, and thought of as a book, and written as a book, and ideally it should be read as a book. There are many other textbooks out there, and I do not wish to name names, but consider the following question. Which are the authors who really love books? Who spend their lives reading books? And indeed writing books. And who spend their lives studying what makes books good or bad? Who view books as truly essential to their overall output?
An ancillary question to ask is who are the authors who are truly dedicated to video, and to on-line communication more generally, as an independent outlet for their efforts and creativity?
Here is information on our new fifth edition, better than ever. Because we love books.
My favorite fiction of 2020
Emily St. John Mandel, The Glass Hotel.
Anne Enright, Actress: A Novel.
Susannah Clarke, Piranesi.
Maggie O’Farrell, Hamnet.
Elena Ferrante, The Lying Life of Adults.
Of those Hamnet was my clear favorite, then the Enright. Here is my non-fiction list, which also explains why the lists have come earlier this year.
How do you shop for books in a bookstore?
Jason emails me:
I would be interested to read on your blog about how you would shop for books in Daunt (or any good bookstore, but Daunt since you mentioned it). Is there method to your browsing/do you ask for recommendations, etc. Is there a person there who you particularly rate? It sounds basic but I think readers would be interested in knowing your approach. I live in London and too often walk out of a bookstore with books I have already heard about rather than taking a chance on something new.
Daunt has about seven or eight main “pressure points” near the very front of the store, and they are easy to find, and that is where you should look for your books. My key advice for Daunt is simply to have a basket, and/or an arrangement with the front desk that you can rest your accumulating pile of books there while you continue to look for more.
The basement floor of Daunt is organized by country, rather than by genre of book, and each visit you should scour at least two country sections for new (or older) items of interest. Overall I find that “by country” is a better to organize the back titles than what any other bookstore does. So, for instance, Chinese fiction is put next to Chinese history, not next to other fiction.
What makes the Marylebone branch of Daunt the best bookstore is how they organize the store, and the quality of selections they put on the front tables, not the overall number of titles.
Making random purchases of featured fiction, if it looks vaguely intelligent, is not crazy in Daunt, yet it would be in literally any American bookstore, or even in Waterstone’s in London (another superb store, go to the Piccadilly branch, but use it for history and biography not fiction).
If you are in a Barnes and Noble, mostly focus on finding the “new non-fiction” section, which these days is increasingly difficult to come across and ever-smaller.
*The Price of Peace*
The author is Zachary D. Carter, and the subtitle is Money, Democracy, and the Life of John Maynard Keynes. Maybe you’ve read plenty about Keynes, but still this book is good enough to qualify (without reservation) for the year’s “best of non-fiction” list published every December.
One surprise is that the author seems to “get” the Bloomsbury Circle, Woolf, and the like, even though he is not an old, crusty British pain in the ass.
A second surprise is that much of the biography goes well past the life of Keynes, though with no diminution of quality. I very much enjoyed for instance the discussion of Samuelson vs. Galbraith, the career of Milton Friedman, the role of the Volker Foundation, and so on.
Very readable, substantive, and the main topic never ceases to be interesting. I am not sure if there is anything truly new in here, but it is nonetheless a very good book to read about Keynes and his later influences on economic thought.
*A Treatise on Northern Ireland*, by Brendan O’Leary
This three-volume set is quite the remarkable achievement, and it would have made my best books of 2019 list (add-ons here) had I known about it earlier. It starts with “An audit of violence after 1966,” and then goes back to the seventeenth century to begin to dig out what happened. It has more detail than almost anyone needs to know, yet at the same time it remains unfailingly conceptual and relies on theoretical social science as well, rather than merely reciting names and dates. How about this?:
The breakdown of hegemonic control in Northern Ireland [mid- to late 1960s] exemplifies Tocqueville’s thesis that, when a bad government seeks to reform itself, it is in its greatest danger.
Here is an excerpt from volume II:
The thesis advanced here is that hegemonic control was established between 1920 and 1925 by the UUP, and, aside from a few exceptional moments, exercised successfully until 1966. After 1925 opportunities for effective opposition, dissent, disobedience, or usurpation of power were minimal. The major possibilities of disruption came from the outside, from independent Ireland or from Great Britain, from geopolitics, or the world economy. Eventually, when external forces of disruption combined with major endogenous changes, hegemonic control would be contested, and would shatter. But at no juncture did Northern nationalists or Irish Catholics in the North internalize the UUP’s rhetoric, or become significantly British by cultural designation. When the civil-rights movement learned to exploit the claim to be British citizens entitled to British rights, the regime’s days were numbered.
I will continue to spend time with these volumes, which will not be surpassed anytime soon. Unlike in so many history books, O’Leary is always trying to explain what happened, or what did not. You can order them here.
As a side note, I find it shocking (and I suppose deplorable) that no American major media outlet has reviewed these books, or put them on its best of the year list, as far as I can tell. We are failing at something, though I suppose you can debate what. And I apologize to O’Leary for missing them the first time around.
Tuesday assorted links
1. The penis-shaped ice rink culture that is Russia.
2. The Economist on Peter Chang and the revolution in Chinese cuisine. Price variability is rising in the Chinese cuisine market.
3. Dylan Matthews favorite social science studies of the decade.
4. “Impact funds earn 4.7 percentage points (ppts) lower IRRs ex post than traditional VC funds.”
5. Arnold Kling’s books of the year. And Scott Sumner responds to me on national security and trade.
6. “Relative to low-income households, high-income households enjoy 40 percent higher utility per dollar expenditure in wealthy cities, relative to poor cities. Similar patterns are observed across stores in different neighborhoods. Most of this variation is explained by differences in the product assortment offered, rather than the relative prices charged, by chains that operate in different markets.” Link here.
Garett Jones on open borders
I am very pleased that the new Bryan Caplan and Zach Weinersmith open borders graphic novel has hit #1 on The Washington Post non-fiction bestseller list. I am also pleased to see Garett Jones examine the idea in a new short paper, here is part of his critique:
I use the same constant returns to scale framework as Caplan, in which the migration of every human being to the United States would increase global output per capita by about 80%. I then estimate that in the benchmark model, where IQ’s social return is much larger than its private return, the per-capita income of current U.S.residents would permanently fall by about 40%. This is not an arithmetic fallacy: this is the average causal effect of Open Borders on the incomes of ex-ante Americans. This income decline occurs because cognitive skills matter mostly through externalities: because your nation’s IQ matters so much more than your own, as I claim in 2015’s Hive Mind. Therefore, a decline in a nation’s set of average cognitive skills will tend to reduce the productivity of the nation’s ex-ante citizens.
I will be sure to link to Bryan’s reply when it comes.
*Fentanyl, Inc.*, by Ben Westhoff
The slightly misleading subtitle is How Rogue Chemists are Creating the Deadliest Wave of the Opioid Epidemic. Why misleading? So many substance abuse books are a mix of hysterical in tone and a disappointing “paint by numbers” in their execution, but this one really stands out for its research, journalism, and overall analysis. To give just one example, it is also a great book on China, and how China and the Chinese chemicals industry works, backed up by extensive original investigation.
Start with this:
Americans take more opioids per capita — legitimate and illegitimate uses combined — than any other country in the world. Canada is second, and both far outstrip Europe. Americans take four times as many opioids as people do in the United Kingdom.
And this:
For many years, Chinese organized-crime groups known as triads have been involved in the international meth trade. But experts familiar with triads say their influence appears to be waning in the fentanyl era. “They’re a shadow of their former selves,” said Justin Hastings, an associate professor in international relations and comparative politics at the University of Sydney…Though ad hoc criminal organizations continue to move drugs in China, major trafficking organizations are rare there, and cartels basically nonexistent. This leaves the market wide open for Chinese chemical companies, who benefit from an air of legitimacy.
As for marijuana and cocaine, they are used by only about one in every forty thousand individuals in China. But the book covers the entire U.S. history as well.
Definitely recommended, this will be making my year-end “best of” list for non-fiction. And yes I did go and buy his earlier book on West Coast rap music.
*Talking to Strangers*, the new Malcolm Gladwell book
Definitely recommended, talking to strangers is one of the most important things you do and it can even save your life. This book is the very best entry point for thinking about this topic. Here is a summary excerpt:
We have strategies for dealing with strangers that are deeply flawed, but they are also socially necessary. We need the criminal justice system and the hiring process and the selection of babysitters to be human. But the requirement of humanity means that we have to tolerate an enormous amount of error. That is the paradox of talking to strangers. We need to talk to them. But we’re terrible at it — and, as we’ll see in the next two chapters, we’re not always honest with each other about just how terrible at it we are.
One recurring theme is just how bad we are at spotting liars. On another note, I found this interesting:
…the heavy drinkers of today drink far more than the heavy drinkers of 50 years ago. “When you talk to students [today] about four drinks or five drinks, they just sort of go, “Pft, that’s just getting started,'” the alcohol researcher Kim Fromme says. She says that the heavy binge drinking category now routinely includes people who have had twenty drinks in a sitting. Blackouts, once rare, have become common. Aaron White recently surveyed more than 700 students at Duke University. Of the drinkers in the group, over half had suffered a blackout at some point in their lives, 40 percent had had a blackout in the previous year, and almost one in ten had had a blackout in the previous two weeks.
And:
Poets die young. That is not just a cliche. The life expectancy of poets, as a group, trails playwrights, novelists, and non-fiction writers by a considerable margin. They have higher rates of “emotional disorders” than actors, musicians, composers, and novelists. And of every occupational category, they have far and away the highest suicide rates — as much as five times higher than the general population.
It also turns out that the immediate availability of particular methods of suicide significantly raises the suicide rate; it is not the case that an individual is committed to suicide regardless of the means available at hand.
Returning to the theme of talking with strangers, one approach I recommend is to apply a much higher degree of arbitrary specificity, when relating facts and details, than you would with someone you know.
In any case, self-recommending, this book shows that Malcolm Gladwell remains on an upward trajectory. You can pre-order it here.
Will the decline of galleries reshape art?
Heidi Mitchell reports (NYT):
“The gallery is a format that is struggling,” said the Argentine curator Ximena Caminos, formerly of the Malba museum in Buenos Aires and now chief creative officer of the Honey Lab cultural space in Miami’s Blue Heron hotel and residential project, which is now under development. “It’s transactional; the artist doesn’t have that much creative freedom, and there is a lot of pressure to make money in a short period of time.” Artists, she said, are seeking new places to showcase their work, especially if the pieces are large in scale.
If the number and relevance of galleries were to decline (continue to decline?), how might this affect artistic content? Here are a few hypotheses:
1. More artists will commission pieces for corporate lobbies and condominiums, as the article reports. That will tend to favor mainstream abstract art and disfavor political statements and obscenities.
Erica Samuels notes:
“There is a great responsibility on the real estate developers that maybe they don’t even realize, while at the same time, the stigma of an artist working with a rich developer is fading.”
2. Corporate-owned works are usually less liquid and may not be sold at all, short of bankruptcy or liquidity crunches, when they are sold under panic conditions. Artists therefore will be less likely to have dominant dealers who prop up their prices and cultivate markets for them. That will likely encourage greater artistic output, though also lower quality output, as might be defined by elites. The resulting art will have to appeal to buyers at first glance, as the artist cannot count upon “sophisticated” galleries to persuade or educate potential buyers.
3. Some artists will take their craft directly to the street, as is done in Belfast or Newark, New Jersey. They will paint for local community status, and for the joy of it, and for political self-expression, rather than for pay. They will use cheaper materials, brighter colors, and indulge in themes and images with strong local meaning. Political art and paid art will separate further.
4. Galleries pursue their own coherent reputations, which encourages carried artists to fit into slots which match gallery reputations. So there are “conceptual art galleries,” “Pop Art galleries,” and so on, and artists in turn target those styles, so as to achieve entry to galleries. When galleries are weaker, the slottable categories are created by some other set of intermediaries — might it someday be Instagram hashtags? eBay search terms? Something else? In any case, those new slots or styles might have to be less “you know it when you see it” and more “you can type those words into a search function.”
5. The decline of browsing has hit published books as well, especially fiction, which saw a big decline in sales over 2013-2017: “The most commonly shared view is that it has become extremely difficult to generate exposure for novels. Fiction, more than nonfiction, depends on readers discovering new books by browsing. Now, with the number of physical stores down from five years ago (despite a rise in ABA membership), publishers cannot rely on bricks-and-mortar stores providing customers with access to new books.” It is easier to type the topic of a non-fiction book into a search function. In this world it is harder to develop new authors [artists], and the link directly above, while about books, is a good way to start thinking about the galleries issue.
6. Most galleries, either intentionally or not, create a distinction between what is shown on the floor and what is held in the back room. Non-gallery art is less likely to be bifurcated in the same way, even if some pieces are more prominent on the home page than others. That may make internet-displayed art less “bubbly,” less subject to elite manipulations and prejudices and enlightenments, and also both fuzzier and lower in price.
7. If there are fewer galleries, perhaps more will be bought and sold at auction. The winning bidder will be less likely to be ripped off by say 3x on the price, so it will be easier to experiment with buying unfamiliar styles: “I liked the Persian carpet I saw at Sotheby’s, and figured the winning bid wouldn’t have too much winner’s curse in it.” You can’t say the same when you go to a gallery relatively uninformed.
8. Galleries offer high implicit returns to regular buyers, who end up getting a crack at the best works in advance, even before the show opens. That encourages buyer specialization, whereas internet and auction-based methods of selling do not.
9. What else?