I liked the special effects, of course, but on the whole
the film [a Schwarznegger movie] bored me. Like many of these American
films, it had one good idea and clung to it so hard that it seemed poor
in emotion and range. The scenes seemed flat because even in the most
dramatic moments the American actors spoke quietly to each other, as if
they were discussing the price of onions. And there were no songs.
Finally, ultimately, most American films were sparse and unrealistic,
and didn’t interest me very much.
That is from one character in Vikram Chandra’s Sacred Games, my early pick for novel of the year.
Otherwise I am learning just how good a writer Roberto Bolaño
can be, I see Bogota women run into the men’s room to avoid even a
slight line at the ladies room, and I’ve figured out how to eat well
here, it is fundamentally a baking culture.















I’m amazed at how many non-fiction people equate American movies to a very specific type of Schwarzenegger action movie from the 80′s. Almost none of the big movie hits of the past decade are even remotely like that.
I don’t mind women using the men’s room so long as they don’t mind the reverse, either, if needs be, and so long as they don’t pee all over the seats. (It was a shocking discovery to me some years ago, one that has been confirmed many times since, that women often trash up public restrooms as much or even more than men.)
Someone from Bollywood is complaining about unrealism in Hollywood
???
!!
.
I agree with jn. It sure sounds like a tongue-in-cheek
reference to the overtly melodramatic nature of Bollywood movies.
Now Tyler Cowen, I am beginning to worry about your judgement on
the novel of year.
Make many more comments like that and Mary will quit going to the movies altogether, regardless of the price!
best-tutor.com
http://www.best-tutor.com
good site
tutor
tutor
Comments on this entry are closed.