*Your Sister’s Sister*

I found this film to be a minor masterpiece.  It incorporates Girard, Shakespeare, how uncertainty eases deals, and some interesting and possibly true claims about two vs. three-person bargaining games.  It is a deep and politically incorrect question to ask why the movie does not start with the Coase theorem already working.  I cannot reveal its Straussian propositions about “loser men” without spoiling the plot surprises. 

Note: the characters in the film do not seem to consume much information.


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