What kind of stories get published?
Ms. [Katherine] Milkman, who has a minor in American studies, read 442 stories printed in The New Yorker from Oct. 5, 1992, to Sept. 17, 2001, and built a substantial database. She then constructed a series of rococo mathematical tests to discern, among other things, whether certain fiction editors at the magazine had a specific impact on the type of fiction that was published, the sex of authors and the race of characters. The study was long on statistics…the thesis segues to the “Kolmogorov-Smirnov Two-Sample Goodness of Fit Test” and the “Pearson Correlation Coefficient Test.”
And what is the main conclusion?
…male editors generally publish male authors who write about male characters who are supported by female characters
Under both [fiction] editors the fiction in the magazine took as its major preoccupations sex, relationships, death, family and travel.
Are you surprised? And what does the magazine say?
“I was personally riveted by the whole thing,” said Roger Angell, a writer at The New Yorker who worked as a fiction editor during part of the period scrutinized by Ms. Milkman. He spent a significant amount of time talking to Ms. Milkman and helped connect her with other people at the magazine. He was charmed by the results but worries they may sow confusion.
“Some unpublished writers are going to read this and say, `I now know what I have to do to get published in The New Yorker,’ and it’s not helpful in that way,” he said. “In the end we published what we liked.”
Here is the New York Times story.
The bottom line: Expect to see more of this kind of analysis in the future. In the longer run I expect all of the humanities disciplines to have a quantitative branch.
The Iliad is now number 106 on the Amazon list. Of course this number probably will be revised by the time you read this…
The answer is simple, art books do not sell many copies. Not counting photography books and “how to” books, the bestselling art book of 2003 was Ross King’s Michelangelo and the Pope’s Ceiling, which sold 55,693 copies. In the U.S. only four other art books sold over ten thousand copies, again excluding photography and how to books. The amazing fact, from my point of view, is just how many art books you will find in your average Borders or Barnes & Noble. Of course many end up returned to the publisher. The copies get you in the door to buy The da Vinci Code there rather than in Wal-Mart.
Despite having a much smaller population, the British show a greater interest in art books. The bestselling art book in the U.K., a Titian catalog, topped the 60,000 mark.
From the April 2004 issue of The Art Newspaper, “Big Market but Few Books Bought,” not yet on-line.
I remain disappointed by how our media underreport the news from China. Here is one possibly major development:
China will kick off reform of its publishing system by transforming the country’s publishing houses from public service institutions into business-oriented enterprises, an official from the Regulations Bureau of China’s Press and Publication Administration (CPPA), who wished to remain anonymous, told Interfax in an interview.
All publishing houses in China, except for the People’s Publishing House, will undergo this reform. The People’s Publishing House, meanwhile, will remain a public service institution. China currently has approximately 527 publishing houses, of which 20 to 30 are private enterprises. Most of these private publishers are engaged in publishing books.
“An experimental batch of publishing houses has been selected and their reshuffling and reform will be finished by the end of 2004,” the CPPA official explained. “Related information will not be publicized before the publishing system reforms are completed.”
Here is yet some further good news:
According to China’s WTO obligations, the retail book market will be open to foreign investment without any restriction after December 1, 2004. Foreign investors will have the final say in investment proportion, business fields and sales locations. Private investment will also be encouraged.
In 2003, the Party ordered reform for the whole cultural system. Some magazines and newspapers were no longer offered government and Party support to aid in distribution and revenue earning. As a result, over 600 newspapers and magazines folded, with some 400 more still facing challenges.
Here is more on opening up the Chinese publishing market. Milton Friedman, of course, was right to point out the strong connection between economic and political freedom. Here is a previous installment of “China Fact of the Day.”
Economist David D. Friedman has posted a draft of his manuscript, Future Imperfect, and he welcomes your comments.
This book is about technological change, its consequences and how to deal with them.
. . .
Much of the book grew out of a seminar I teach at the law school of Santa Clara University. Each Thursday we discuss a technology that I am willing to argue, at least for a week, will revolutionize the world. On Sunday students email me legal issues that revolution will raise, to be put on the class web page for other students to read. Tuesday we discuss the issues and how to deal with them. Next Thursday a new technology and a new revolution. Nanotech has just turned the world into gray goo; it must be March.
Since the book was conceived in a law school, many of my examples deal with the problem of adapting legal institutions to new technology. But that is accident, not essence. The technologies that require changes in our legal rules will affect not only law but marriage, parenting, political institutions, businesses, life, death and much else.
Leading British authors have auctioned off the names of characters in their new books to raise funds for charity.
Successful bidders at the third charity auction for victims of torture included a man who paid Â£1,000 to see his mother’s name appear in the next novel by the Irish writer Maeve Binchy. Another secured a role in books by two authors, bidding Â£950 for the children’s writer Philip Pullman and Â£240 for Sue Townsend, the creator of Adrian Mole.
And one author was also a bidder. Martina Cole, whose own work raised Â£220, paid Â£1,000 for her name to appear in the next book by Sarah Waters, who wrote Tipping the Velvet. Tracy Chevalier, whose novel Girl With A Pearl Earring, was adapted into a film, raised Â£300.
Adi McGowan, a City trader, paid for his mother, Muriel, to appear in the next Binchy book as a surprise birthday present. He said his mother was a fan of the author, whose novel Circle of Friends was adapted into a Hollywood film.
“I usually give a book as a birthday present,” he said. “Maeve’s a favourite. My mother has been waiting eagerly for her next book – now she’s actually going to be in it.”
Here is the full story. Here is a blog post about buying personalized romance novels more generally. Here is a related story of a couple who tried to auction off the naming rights for their baby. No company was willing to pay $500,000, so they named him Zane.
My take: To get mentioned on this blog, all you have to do is send us a useful link, failing that try $100 or more.
When all else fails, offer a discount:
The cover of the current issue of Poesia, an Italian poetry magazine, shows a caricature of Eugenio Montale, a Nobel laureate in literature, standing on a cloud next to a tall stack of books. The headline reads, “One million volumes.”
It is a reference to the special edition of Montale’s poetry distributed during February with some copies of the Milan newspaper Corriere della Sera, which has a daily circulation of 686,000. Though the book reached that number in part because it was a giveaway, experts were nonetheless impressed, as well as by the book offered as an option along with the newspaper the following Monday: poems by Pablo Neruda. That book cost readers 5.90 euros, or about $7.20, and it sold more than 250,000 copies. There’s more poetry where that came from. Corriere della Sera plans a series of 30 books featuring the works of great poets, one each Monday, and at a relatively low price…
The strategy has been so successful that today nearly every Italian paper on the newsstand sells at least one discounted product – a book, DVD, CD or videotape – at least one day a week. The sales have helped raise circulation modestly and have given an unexpected infusion of cash to newspapers.
In other words, give newspapers a high prestige gloss, to mobilize eyeballs for advertisers. Note that cheap advertising than subsidizes quality poetry. Here is some more on the economics:
Gruppo Editoriale L’Espresso, which publishes La Repubblica and the weekly L’Espresso, last month cited the editorial initiatives as a reason that its net profit rose 47 percent last year, to 67.8 million euros, or about $82.9 million. In 2003, the two newspapers sold 34 million books, 2 million DVD’s and 1.6 million compact disks at prices ranging from 4.90 to 12.90 euros. La Repubblica itself costs 1.20 euros at the newsstand; L’Espresso costs 2.80 euros. Cost-cutting and improvements in online operations also helped raise profit, the company said.
“We thought we were going to appeal to a niche market because Italians aren’t known as being great readers,” said a spokesman for Gruppo Editoriale L’Espresso, who said company policy required anonymity.
He said the publisher expected to break even by selling 50,000 copies in the first series, but that around 500,000 copies of each of 50 volumes of 20th-century masterpieces were sold.
“It was instead an incredible success,” he said, “and created a new phenomenon for the Italian market.”
La Repubblica is now selling a six-volume set of Italian poetry from the 13th century to the present. The paper has sold about 120,000 copies of each volume at 7.90 euros a book.
If the numbers are good for newspapers’ bottom lines, they have book publishers worried. Almost half of the 100 million books sold in Italy in both 2002 and 2003 were sold with newspapers and magazines at newspaper kiosks, according to the Italian Publishers Association.
“Newspapers are no longer just vehicles for information – they’ve become a distribution system,” said Federico Motta, president of the publishers association.
Newspapers have several advantages over traditional book publishers, he said, starting with a distribution network of around 40,000 newsstands throughout Italy.
The bottom line: The sale of culture is increasingly about the best way to mobilize notice and attention. Over the next century, expect traditional cultural intermediaries to disappear or be radically transformed. When you buy art from a traditional gallery, sales and certification are bundled together in the same institution. As the division of labor increases, we should expect sales and certification to become separate functions, performed by separate groups of people. The reality is that coffee shops, newspaper stands, Wal-Marts, or whatever are now the institutions that hold our attention. They will become our new cultural suppliers.
Here are some basic facts:
The popularity of religious titles has soared. Books such as Left Behind by Tim LaHaye and Jerry Jenkins, the first in a popular series and No. 61 for the decade, used to be sold primarily in Christian bookstores. Now they’re stacked thigh-high at discount stores such as Wal-Mart.
Self-help, always a fixture of best-seller lists, is shifting the focus from improving people’s lives to improving their health as many baby boomers pass 50. [Diet books, most of all Atkins-related, have become especially popular.]
Brand-name series grabbed a growing share of the list. Chicken Soup for the Soul begat Chicken Soup for the Woman’s Soul, which begat Chicken Soup for the Teenage Soul. All were among the decade’s 100 most popular titles.
With 12 novels on the list of 100, John Grisham staked out a nearly permanent spot on the weekly best-seller list. Only the titles changed. But if the familiar was popular, there were a few surprises. Previously unknown novelists such as Dan Brown (The Da Vinci Code) and Alice Sebold (The Lovely Bones) ended up among the decade’s best sellers.
Fiction, led by thrillers, staged a comeback, accounting for 72% of last year’s weekly best sellers, compared with 59% in 1998.
Here are other facts of import:
1. Never have so many books been published: in the U.S. more than 1,000 new titles a week, nearly double the rate in 1993.
2. Aggregate book sales are flat.
3. “last year the average American spent more time on the Internet (about three hours a week) than reading books (about two hours a week). And…the average American adult spent more money last year on movies, videos and DVDs ($166) than on books ($90).”
4. Bestsellers (top ten in the major categories) account for only 4% of book sales.
5. Amazon, Barnes&Noble.com and BookSense.com account for 8% of U.S. book sales.
6. Discount stores and price clubs account for 11% of U.S. book sales.
7. Humor books have fallen from 5.3% of the bestsellers market in 1995 to 0.6% today.
8. The Cliff Notes version of The Scarlet Letter outsells the real thing by 3 to 1.
9. In August dictionaries are 77% of all reference book sales. Otherwise they run less than five percent of the total.
Here is the the full story, noting that some of the facts are found in the paper edition only.
The bottom line? The book market works wonderfully. If you have any complaint, it should be with the quality of public taste.
USA Today (from Thursday) offers a list of the 100 best-selling books of the last ten years (not on-line). Once you get past Tolkien and Harry Potter, there is little to interest me. That being said, I find it easy to walk into my public libraries and every week find numerous good new books to read.
BBC informs us that this is the 60th anniversary of the publication of Hayek’s Road to Serfdom. In memoriam, here is a fact sheet about the book.
I have always seen huge pluses and minuses in the work. On the down side, mixed economies did not lead to fascism, communism, or totalitarianism, as Hayek had feared. On the plus side, Hayek offers his strongest and clearest case for liberty. Only rarely is political decision-making about trying to do the right thing. His analysis of the dynamics of political power remains a “public choice” classic to this day.
Thanks to Ray Squitieri for the pointer.
Edward P. Jones, who ended a 10-year absence from publishing with his novel “The Known World” (Amistad/HarperCollins), won the fiction prize of the National Book Critics Circle on Thursday night in a ceremony at New School University in Greenwich Village.
These other awards were made:
¶Paul Hendrickson, “Sons of Mississippi: A Story of Race and Its Legacy” (Knopf), for general nonfiction.
¶William Taubman, “Khrushchev: The Man and His Era” (W. W. Norton), for biography-autobiography.
¶Rebecca Solnit, “River of Shadows” (Viking), a study of high-speed photography and other 19th-century technology, for criticism.
¶Susan Stewart, “Columbarium” (University of Chicago Press), for poetry.
Studs Terkel, 91, the Pulitzer Prize winning author, oral historian and self-described champion of the uncelebrated, received the Ivan Sandrof Lifetime Achievement Award.
Why not go with Borders, the people who sell you the books?
“It’s easy to publish your own book!” the “Borders Personal Publishing” leaflets proclaim. Pay $4.99. Take home a kit. Send in your manuscript and $199. A month or so later, presto. Ten paperback copies of your novel, memoir or cookbook arrive.
Fork over $499, and you can get the upscale “Professional Publication” option. Your book gets an International Standard Book Number, publishing’s equivalent of an ID number and is made available on Borders.com, and the Philadelphia store makes space on its shelves for five copies.
Borders is the latest traditional bookseller or publisher to branch into self-publishing using print-on-demand or P.O.D. technology. P.O.D., inheritor of the vanity press and survivor of the dot-com implosion, makes it feasible – technologically and economically – to produce one copy of a book.
Unlike e-books, which also appeared in the late 1990’s, P.O.D. self-publishing has developed into a real business, attracting involvement from the likes of Random House, Barnes & Noble and now Borders.
Forty percent of all self-published books are sold to the authors, and most of the other sixty percent are sold on-line. One company, iUniverse, has 17,000 published titles. 84 have sold more than 500 copies, and a half dozen have made it to Barnes and Noble shelves. But then again, traditional vanity presses charge you at least 8 to 10K to publish a book, with no guarantees.
But does self-publishing have a bright future? Yes and no. Soon self-publishing won’t be worse than going with a mediocre press. The value of the very best certifiers will go up (in the academic market this is Harvard, Princeton, Chicago, and MIT presses, for a start), if only because the proliferation of writing makes their sorting function more important. At the same time the relative value of the middling certifiers will fall. It will become apparent they don’t offer a better product than writers operating on their own. At some point you have to ask whether the press is lending reputation to the author, or vice versa.
By the way, here is one self-published memoir which I love, the author Thelma Klein was the mother of well-known economist Daniel Klein. Yes they still have copies if you want to buy one, and they only cost a few dollars.
Yes readers love it but Barnes and Noble pushed it. The author, Dan Brown, was largely unknown in the world of publishing. But Doubleday distributed a remarkable 5000 advance reader and review copies. Internal readers in Barnes and Noble loved the story and the bookseller was on board. Advance orders from the store upped the print run from an initial 60,000 to 230,000 copies. Some Barnes and Noble stores hired greeters to tell customers about the novel. The book debuted at number one on The New York Times bestseller list and has held strong ever since.
And why should Barnes and Noble care? Competitive pressures are forcing them to promote their products to greater degree. The company faces low price competition from discounters such as Costco. If your bookstore can’t compete on price, it has to emphasize quality dimensions, such as being a source for new and hot book ideas.
The usual story suggests that price competition prevents the more expensive retailer from offering ancillary services. You could speak to the stereo salesman at the good shop but buy at the cheap shop. But the cheaper the per unit value, the more likely a store can profit from offering bundled services. It is not worth your while to hear about The da Vinci Code in Barnes and Noble and then drive to Wal-Mart to buy it. In other words, expect more concerts at your local book superstore. And expect book superstores to take a growing role in shaping consumer taste.
I read the book and was repulsed, though I will admit to finishing it, for reasons of research obviously.
There are now 6.1 million copies of The da Vinci Code in print, the title is slated to become the fastest-selling non-Harry Potter book ever, surpassing Bridges of Madison County.
Some of the above information is drawn from the March 8 issue of Fortune.
Borders Books and Music is tapping into one of the retail industry’s few remaining new frontiers – underserved urban neighborhoods – with stores in Detroit and Chicago…
Of the two projects, the Detroit store is probably the bigger gamble, if only because of the general absence of retail activity of any kind in the downtown area.
“Retail is lacking in downtown Detroit,” said Charles Maday, the chief executive of Exclusive Realty, a Detroit commercial brokerage firm. “All the retailers left. It’s the only major city that doesn’t have even a hardware store.”
A walk around the downtown area confirms that. It is impossible to buy even a T-shirt in downtown Detroit, let alone necessities like groceries or furniture.
Here is the full article. It is hard to believe there was a time when it was debated whether book superstores are a good thing.
The cynical will note that the project developer is receiving a tax break from the city.
Here is what university presidents think:
1. The Bible
2. The Odyssey
3. The Republic
4. Democracy in America
5. The Iliad
7. (tie) Wealth of Nations, The Koran, The Prince
10. (tie) Federalist Papers, Don Quixote, On Liberty, Invisible Man, King Lear, War and Peace, Moby Dick, The Lexus and the Olive Tree
I admire Tom Friedman’s writings but he is in some pretty exalted company.
I would nix The Koran, which few non-Muslims get much out of, nix The Prince, which few non-Straussians understand, and downgrade Invisible Man and Lexus, both of which are too trendy. Smith is a worthy representative of economics but I would like to see some science on the list, not a classic but rather a book that undergraduates can understand. When it comes to the category of “most cited authors” (see the link, which offers other interesting measures as well), Stephen Hawking makes an appearance at eighth, just behind Dostoyevsky, Dickens, and Aristotle.
The greatest irony?: Two university presidents cited What Color is Your Parachute?
Thanks to www.politicaltheory.info for the pointer.
Ender’s Game, one of my favorite science fiction novels, will be a movie. The story of the book appears sophomoric at first, but it has some genuinely new intellectual and moral twists (which I won’t give away). Here is a web site about the book, which offers varying levels of detail and helps you avoid spoilers. Thanks to www.geekpress.com for the pointer to the film news.