*Barbie*

You can object to the lack of plot impetus in this work, or cite several other objections, not entirely without reason.  Yet the film is fresh, interesting, and creative throughout.  It is full of ideas, starting with an investigation of how lookism oppresses women, and then it continues to deepen.  By the end, the surface-level and Straussian readings dovetail nicely and converge.  The song “Closer to Fine” is used well.  By no means fully satisfying, but insightful throughout.