Art as a wartime investment the asset that is countercyclical

From a new Economic Journal article by Kim Oosterlinck:

During World War II, artworks significantly outperformed all alternative investments in Occupied France. With the surge in demand for portable and easy-to-hide (discreet) assets such as artworks and collectible stamps, prices boomed. This suggests that discreet assets may be viewed as crypto-currencies, demand for which varies depending on the environment and the need to hide value. Regarding art market valuation, this paper argues that while some economic actors derive significant utility from conspicuous consumption, others value the discretion offered by artworks. Motives for purchasing art may thus vary over time.

The pointer is from Kevin Lewis.  And via Samir Varma, here is a new piece on how the returns to fine art have been overestimated.

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