That is Dave Rubin the comedian. It is thirty minutes long, no transcript or video, audio only right here. We covered comedy and political correctness, which jokes should not be told, the economics of comedy, comedy in Israel and Saudi Arabia, comedy on campus, George Carlin, and the most underrated Star Wars installment, among other topics. Here is one excerpt:
Cowen: How much do you think comedy is what’s sometimes called ‘a winner take all’ market? So another way to phrase the question is 20 years from now do you think there will be more or fewer professional comedians? You might say, for instance, “Well, you’re on YouTube, you’re real ly funny, I don’t need to go to a comedy club.” There’s this fellow in South Korea, Robert Kelly, he did an interview, he was trying not to be funny doing the interview, his two kids ran into the room, his wife pulled the kids back, it created a viral video, one of the funnier things I saw all year.
Cowen: Maybe not a funny guy, he was trying to keep it serious, so it was hilarious, and I can find those through my filters, through Twitter, through search. What’s the role of a professional comedian when an amateur’s best moment from a guy who isn’t even funny goes so viral?
Rubin: Well, the role is always there because the commentary on society is always gonna be there, so the moments like… Of course, I saw that video and it’s hilarious and it’s in the moment and it’s a beautiful thing. By the way, there was an outrage to that, because a lot of people were saying that the woman who came in was his nanny because I think she was Asian but it was actually his wife so then that created… So even that, just a pure moment of something hilarious happening became part of the outrage machine too. But the role for the critic of society, it’ll always be there, but it’s just not gonna to come from the clubs anymore, I think. I think that unfortunately… Comedy in its rawest form of standing in front of a group of people with a microphone and connecting to them that way, it’s as beautiful as it gets, there’s nothing in between you and the audience. It’s like painting, if you were a great painter and every stroke you had to go, “Was that okay? Was that okay?” Well, that would make you kinda crazy as a painter, but in stand up up you have to do it that way, every line you have to make sure is funny. I have not been funny here today at all, maybe we have to do something else.
Cowen: There’s less live music in New York City today than in the 1970s, is there less live comedy?
I enjoyed doing the interview very much.