The symphony orchestra and the Industrial Revolution

I heard Mozart’s 39th symphony in concert last night, and it occurred to me (once again) that I also was witnessing one of mankind’s greatest technological achievements.  Think about what went into the activity: each instrument, developed eventually to perfection and coordinated with the other instruments.  The system of tuning and the underlying principles of the music.  The acoustics of the music hall.  The sheet music on paper and the musical notation.  All of those features extremely well coordinated with the kind of compositional talent being produced in Central and Western Europe from say 1710 to 1920.  And by the mid-18th century most of the key features of this system were in place and by the early 19th century they were more or less perfected.

Sometimes I think of the Industrial Revolution as fundamentally a Cultural Revolution.  The first instantiation of this Cultural Revolution maybe was the rise of early Renaissance Art in Italy and in the Low Countries.  That too was based on a series of technological developments, including improved quality tempera paint, the development of oil painting, the resumption of bronze and marble techniques for sculpture, and the reintroduction of paper into Europe, which enabled artists’ sketches and drawings.

As with classical music, this unfolding of quality production was all based on extreme experimentation, a kind of scientific method, urbanization, and competing city-states.  There was also the rediscovery of knowledge from antiquity, and the importation or reimportation of science from China and the Arabic world, including the afore-mentioned knowledge of paper-making.

The creation of a book culture, and a culture of experimental science, could be cited as well.

Perhaps the only [sic] difference with the Industrial Revolution proper is that it came to sectors — energy, transport, and textiles — that boosted living standards immensely.  But arguably it was just another of a series of Cultural Revolutions that had their roots in late medieval times, with even classical music deriving ultimately from Franco-Flemish polyphony.  One of these Cultural Revolutions just happened to be Industrial.

Of course the earliest parts of Revolutions are often the best, as we’ve surpassed the steam engines of the 19th century but Mozart and Leonardo are still with us.


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