Category: Books
*Pricing the Future*
The author is George G. Szpiro and the subtitle is Finance, Physics, and the 300-Year Journey to the Black-Scholes Equation, A Story of Genius and Discovery. Excerpt:
As the scion of a WASP family, [Fischer] Black headed straight to Harvard for his undergraduate studies. He didn’t even apply to any other college. Once there, he took a wide range of courses, including psychology, anthropology, sociology, mathematics, physics, logic, biology, and chemistry. Strangely missing in this eclectic selection was anything related to finance, although he mentioned to his parents that he was considering “even economics.” He also experimented with psychedelics and — ever the scientist — took notes about his mental state every half hour. Once Black got arrested by the Cambridge police for demonstrating…but not again bigotry, racism, or world hunger. He was jailed for demonstrating against Harvard’s decision to issue degrees in English rather than Latin. Behind bars, his bluster soon vanished and when a Harvard dean came to check on the detainee’s conditions, Black quickly accepted the opportunity to get out.
I can’t remember the last time I learned so much about the history of economic thought, and on an important matter at that. This book is a real contribution. It doesn’t have the fancy or seductive writing style that you find in many popular science books nowadays, but it rates high in terms of substance.
How American food got so bad
Here is a podcast with me, interviewed by Stephen Dubner. Excerpt:
I think there is a very bad period for American food. It runs something like 1910 through maybe the 1980’s. And that’s the age of the frozen TV dinner, of the sugar donut, of fast food, of the chain, and really a lot of it is not very good. If you go back to the 19th century and you read Europeans who’ve come to the United States, they’re really quite impressed by the freshness and variety that is on offer.
I attempt to explain how this came about, in the podcast and in one chapter of my forthcoming book An Economist Gets Lunch: New Rules for Everyday Foodies. Believe it or not, a lot of the blame can be placed on government, including Prohibition and immigration restrictions. The book is due out in April, in both physical and e-copies, and it’s the longest and most comprehensive book I’ve written (yet without the price being high).
By the way, am I a food snob? I told Dubner:
Let me just give you a few traits of food snobs that I would differ from. First, they tend to see commercialization as the villain. I tend to see commercialization as the savior. Second, they tend to construct a kind of good versus bad narrative where the bad guys are agribusiness, or corporations, or something like chains, or fast food, or microwaves. And I tend to see those institutions as flexible, as institutions that can respond, and as the institutions that actually fix the problem and make things better. So those would be two ways in which I’m not-only not a food snob, but I’m really on the other side of the debate.
Are we stagnating aesthetically?
Some of you have been emailing, asking for my opinion of this recent Kurt Andersen Vanity Fair article. Here is the summary introductory paragraph:
For most of the last century, America’s cultural landscape—its fashion, art, music, design, entertainment—changed dramatically every 20 years or so. But these days, even as technological and scientific leaps have continued to revolutionize life, popular style has been stuck on repeat, consuming the past instead of creating the new.
There is plenty more at the link. A serious response would require a book or more, so let me offer a few conclusions, noting that it’s not possible in blog space to defend these judgments at any length. This is all about aesthetics, and it is distinct from the TGS technology argument, though one might believe that technical breakthroughs are needed to usher in aesthetic innovations, and that slowness in the one area would lead to slowness in the other. That’s not a claim I’ve ever made, but it’s worth considering even if it can’t be settled very easily. In any case, here’s my view of the evidence:
1. Movies: The Hollywood product has regressed, though one can cite advances in 3-D and CGI as innovations in the medium if not always the aesthetics. The foreign product is robust in quality, though European films are not nearly as innovative as during the 1960s and 70s. Still, I don’t see a slowdown in global cinema as a whole.
2. TV: We just finished a major upswing in quality for the best shows, though I fear it is over, as no-episode-stands-alone series no longer seem to be supported by the economics.
3. Books/fiction: It’s wrong to call graphic novels “new,” but they have seen lots of innovation. If we look at writing more broadly, the internet has led to plenty of innovation, including of course blogs. The traditional novel is doing well in terms of quality even if this is not a high innovation era comparable to say the 1920s (Mann, Kafka, Proust, others).
4. Computer and video games: This major area of innovation is usually completely overlooked by such discussions.
5. Music: Popular music has been in a Retromania sludge since the digital innovations of the early 90s, but classical contemporary music continues to show vitality and it is even establishing some foothold in the concert hall and in nightclubs too. Jazz has plenty of niche innovation, but it’s not moving forward with new, central ideas which command the attention of the field.
6. Painting and sculpture: Lots of good material, no breakthrough central movements comparable to Pop Art or Abstract Expressionism. Photography has seen lots of innovation.
7. Your personal stream: This is arguably the biggest innovation in recent times, and it is almost completely overlooked. It’s about how you use modern information technology to create your own running blend of sources, influences, distractions, and diversions, usually taken from a blend of the genres and fields mentioned above. It’s really fun and most of us find it extremely compelling. See chapter three of Create Your Own Economy/The Age of the Infovore.
8. Architecture: Slows down after 2008, but there were numerous innovative blockbuster buildings prior to the crash.
Today the areas of major breakthrough innovation are writing, computer games, television, photography (less restricted to the last decade exclusively) and the personal stream. Let’s hope TV can keep it up, and architecture counts partially. For one decade, namely the last decade, that’s quite a bit, though I can see how it might escape the attention of a more traditional survey. Some other areas, such as the novel, global cinema, and the visual arts are holding their own and producing plenty of small and mid-size innovations.
Although that is a relatively optimistic take on the aesthetics of the last decade, it nonetheless supports the view that aesthetic innovation relies on technological innovation. Most (not all) of the major areas of progress have relied on digitalization, and indeed that is the one field where the contemporary world has brought a lot of technological progress as well.
The New Da Vinci Code?
Over at Digitopoly Joshua Gans says that the breezy style of Launching the Innovation Renaissance (Nook, iTunes) makes it a page-turner “reminiscent of Dan Brown.”!!! I take this to mean that the book will sell millions of copies and be turned into a movie starring Tom Hanks; this does seem unlikely but after the Moneyball and Freakonomics movies who can say? FYI, Joshua is more confident than I am that the Coase theorem applies to rent division.
Over at Slate, Matt Yglesias also offers a short review saying the worst thing about the book is that it is too short!
Nick Schulz interviewed me at The American on some of the book’s themes, the WSJ also published part of this interview in their Notable and Quotable section.
*The Stranger’s Child*, by Alan Hollinghurst
Although the initial reviews were only somewhat positive, I’ve been noticing how many times it has popped up on the year’s end “best of” lists. And so I bought it. It is indeed brilliant, and it is not out of line to compare it to top novels by Thackeray or Forster. I used to think of Hollinghurst as “superb writer but not so much along my lines of interest,” but this one has won me over.
Jonathan Gruber’s *Health Care Reform*
It is a new graphic novel, by Gruber, illustrations by Nathan Schreiber, and it covers the U.S. health care system and ACA. Excerpt:
Everyone will be able to afford insurance.
You won’t have to worry about going broke if you get sick.
We will start to bring the cost of health care under control.
And we will do all this while reducing the federal deficit.
Alex’s new book
It is by far the best book on how to fix our current innovation dilemma and it is entitled appropriately Launching the Innovation Renaissance (Amazon link, B&N for Nook, also iTunes). I’ve read it twice and bought it once, even though Alex might have given me a copy had I asked, and now I am reviewing it once and probably will review it again.
Hayek and Modern Macroeconomics
David Warsh and Paul Krugman try to write Hayek out of the history of macroeconomics. Krugman writes:
Friedrich Hayek is not an important figure in the history of macroeconomics.
These days, you constantly see articles that make it seem as if there was a great debate in the 1930s between Keynes and Hayek, and that this debate has continued through the generations. As Warsh says, nothing like this happened. Hayek essentially made a fool of himself early in the Great Depression, and his ideas vanished from the professional discussion.
Warsh says much the same thing, adding, I am not making this up, a discussion of Hayek’s divorce. Neither Krugman nor Warsh attempt to argue for their positions, it’s all assertion. Both claim that Hayek is famous only because of the Road to Serfdom.
Let’s instead consider some of the reasons the Nobel committee awarded Hayek the Nobel:
Hayek’s contributions in the fields of economic theory are both deep-probing and original. His scholarly books and articles during the 1920s and 30s sparked off an extremely lively debate. It was in particular his theory of business cycles and his conception of the effects of monetary and credit policy which aroused attention. He attempted to penetrate more deeply into cyclical interrelations than was usual during that period by bringing considerations of capital and structural theory into the analysis. Perhaps in part because of this deepening of business-cycle analysis, Hayek was one of the few economists who were able to foresee the risk of a major economic crisis in the 1920s, his warnings in fact being uttered well before the great collapse occurred in the autumn of 1929.
It is true that many of Hayek’s specific ideas about business cycles vanished from the mainstream discussion under the Keynesian juggernaut but what Krugman and Warsh miss is that Hayek’s vision of how to think about macroeconomics came back with a vengeance in the 1970s.
David Laidler exaggerated but he was much closer to the truth than Krugman or Warsh when he wrote in 1982 regarding new-classical macroeconomics:
… I prefer the adjective neo-Austrian… In their methodological individualism, their stress on the market mechanism as a device for disseminating information, and their insistence that the business-cycle is the central problem for macroeconomics, Robert E. Lucas Jr., Robert J. Barro, Thomas J. Sargent, and Neil Wallace, who are the most prominent contributors to this body of doctrine, place themselves firmly in the intellectual tradition pioneered by Ludwig von Mises and Friedrich von Hayek.
Thus, Hayek was an important inspiration in the modern program to build macroeconomics on microfoundations. The major connecting figure here is Lucas who cites Hayek in some of his key pieces and who long considered himself a kind of Austrian. (Indeed, to the great consternation of some of my colleagues, I once argued that Lucas was the greatest Austrian economist of the 20th century.)
One can also judge Krugman’s claim that “the Hayek thing is almost entirely about politics rather than economics” by looking at who other Nobel laureates in economics cite. Is Hayek ignored because he is just a political thinker? Not at all, in fact in an interesting exercise David Skarbek finds that Hayek is cited by other Nobel laureates in their Nobel talks more than any other Nobel laureate with the exception of Arrow. (The top six cite-getters are Arrow, Hayek, Samuelson and then tied in citations for fourth place are Friedman, Lucas and Phelps.)
Addendum: Here is Pete Boettke and Russ Roberts and David Henderson.
Tabarrok the Statist
Stephan Kinsella in reviewing Launching the Innovation Renaissance (Amzn link, B&N for Nook, also iTunes) for The Libertarian Standard says I am a liberty-hating statist! (Kinsella is upset that I did not come out as a patent abolitionist.) Bryan Caplan, however, says it is a gem that pushed him to extreme patent skepticism. In other mini-reviews, Aretae gives it “three thumbs up” (must be a transhumanist), Robin Hanson thinks I am too rational and Peter Gordon says “Read the book. Spread the word.”
*Reading my Father*
The author is Alexandra Styron, daughter of William, who is portrayed as manic depressive. I found this memoir compelling, and it has been making many “best of” lists. Here is one excerpt:
By all accounts, my sister was a cheerful baby, smart and pretty, with an easy manner. In short, an ideal firstborn. Daddy was enthralled. “Take a lesson from me and don’t get too interested in the child,” Irwin Shaw wrote in a congratulatory letter. “Since Adam’s first birthday, I’ve barely written a word, as it is much more interesting to watch all the subtle and terrible currents that run through a complex human being than to sit at a typewriter and battle with the comparatively flat and lifeless material of art. Dole the child out to yourself in small doses, for your career’s sake.”
You can buy it here.
Launching the Innovation Renaissance
Launching the Innovation Renaissance (Amzn link, B&N for Nook, also iTunes) my new e-book from TED books is now available! How can we increase innovation? I look at patents, prizes, education, immigration, regulation, trade and other levers of innovation policy. Here’s a brief description:
Unemployment, fear, and fitful growth tell us that the economy is stagnating. The recession, however, is just the tip of iceberg. We have deeper problems. Most importantly, the rate of innovation is down. Patents, which were designed to promote the progress of science and the useful arts, have instead become weapons in a war for competitive advantage with innovation as collateral damage. College, once a foundation for innovation, has been oversold. We have more students in college than ever before, for example, but fewer science majors. Regulations, passed with the best of intentions, have spread like kudzu and now impede progress to everyone’s detriment. Launching the Innovation Renaissance is a fast-paced look at the levers of innovation policy that explains why innovation has slowed and how we can accelerate innovation and build a 21st century economy.
Here is a blurb from Paul Romer (NYU):
Progress comes from improvements in both our technologies and our rules. Alex Tabarrok makes a compelling case that in the United States, our rules on patents, education, and immigration are holding us back. If you want to think clearly about policies that matter for growth, turn off the TV, stop surfing the web, and read this book!
I discuss prizes and education in Launching and so was especially pleased to get this endorsement from Tom Vander Ark, formerly the president of the X PRIZE Foundation and the Executive Director of Education for the Bill & Melinda Gates Foundation and now CEO of Open Education Solutions.
If you’re a fan of MarginalRevolution like I am, you’ll want to read Tabarrok’s latest book. If you’re interested in innovation like I am, you need to read Launching the Innovation Renaissance. Alex poses thought experiments from patents to prizes, from health to education to immigration. He skewers Soviet-style employment bargains and offers insightful alternatives to improve our educational system. Alex is occasionally snarky, often witty, always incisive. Read this on your next flight.
FYI, I began this book before I read a draft of Tyler’s book The Great Stagnation and was interested to see that although we share a few common themes that perhaps due to differences in personality Tyler focuses on describing problems while I am more excited to promote solutions!
*Destiny of the Republic*
The author is Candice Millard, the subtitle is A Tale of Madness, Medicine, and the Murder of a President, and the topic is James Garfield, with good bits on Alexander Graham Bell. Excerpt:
Garfield realized with a sinking heart that a large portion of his day, every day, would be devoured by office seekers. His calling hours were 10:30 a.m. to 1:30 p.m., Monday through Friday, and he faced about a hundred callers every day.
…Those who waited outside the White House, moreover, did not want simply to apply for a position. They wanted to make their case directly to Garfield himself. As the leader of a democratic nation, the president of the United States was expected to see everyone who wanted to see him.
And I had not known this:
To the astonishment of the members of Congress, Bliss [the doctor who cared for Garfield and possibly killed him] confidently presented them with a bill for $25,000 — more than half a million dollars in today’s currency…Congress agreed to pay Bliss $6,500, and not a penny more.
Recommended.
Muncie fact of the day
This is from 1891 to 1902, and that is Muncie, Indiana in case you do not know. Get this:
Horatio Alger was by far the most popular author: 5 percent of all books checked out were by him, despite librarians who frowned when boys and girls sought his rags-to-riches novels (some libraries refused to circulate Alger’s distressingly individualist books).
Our culture has changed. There is also this:
Louisa May Alcott is the only author who remains both popular and literary today (though her popularity is far less). “Little Women” was widely read, but its sequel “Little Men” even more so, perhaps because it was checked out by boys, too. The remaining authors at the top of the list — Charles Fosdick, Oliver Optic, Martha Finley, L. T. Meade and others — have vanished from memory. Francis Marion Crawford, whose novels were chiefly set in Italy and the Orient, was checked out 2,120 times, whereas Dickens, Walter Scott and Shakespeare circulated 672, 651 and 201 times respectively. Fiction was overwhelmingly preferred, accounting for 92 percent of books read in 1903.
The article is interesting throughout.
I forgot to put this one on my best non-fiction books of the year list
The New North: The World in 2050, by Laurence Smith.
*The Lives of the Novelists*
Here is a mini-review from today’s FT, from their best books of the year discussion:
Lives of the Novelists, by John Sutherland, Profile, RRP£30
The fruit of decades of reading and research, Sutherland’s quirky compendium offers selective mini-biographies of 294 English novelists including Jeffrey Archer but not, oddly, Lewis Carroll or PG Wodehouse. A witty and enjoyably wide-ranging work.
The book has a remarkable density of information, as virtually every sentence tries to teach you something. I have never read a book quite like it, definitely recommended.