Category: Film

Touching the Void

Imagine that you are trapped on a mountain in the Peruvian Andes, your leg is broken in several places, you are severely dehydrated, bitterly cold, all alone…. and you can’t get this song by Bony M out of your head. You don’t even like the song. Now, that’s hell.

That’s one of the lighter moments in Touching the Void a harrowing, awe-inspiring, true-story of two climbers made into a great movie/documentary. Aside from the sheer entertainment value, very sheer in this case, the move has a lot to say about the diversity of preferences, the will to survive and believe it or not, how to achieve goals. Touching the Void also nicely disposes of that old canard about there being no atheists in foxholes. Highly recommended.

I want my money back

It’s late in the game to be blogging this, but I’ve just seen Michael Moore’s Fahrenheit 9-11. I was dragged to the movie, more or less against my will. I won’t review the film’s well-known problems with the facts. I was at least as disturbed by the implicit racism. For instance it portrayed the Saudis as vile connivers, in a manner reminiscent of 19th century racial propaganda. [N.B. I agree we should trust the Saudi government less, but this is not the point.] Even worse was the segment on the “Coalition of the Willing”; Costa Ricans for instance are shown as a primitive and laughable people who work with oxen.

Most of all the film shows an overall contempt for humanity. The American poor, supposedly the object of Moore’s concern, come across as stupid, inarticulate, and easily duped. The only idyllic paradise we ever see is Saddam Hussein’s Iraq, where all appears beautiful.

It is a sad day in Cannes and in the United States when a movie of this kind commands so much attention. There are many important and intelligent critiques of the foreign policy of the Bush Administration, but this is not one of them. On top of everything else, the film was outright boring, especially during the second half.

Movie downloading on the rise

Illegal downloading is not going away. And movie downloading could soon be a bigger issue than music downloading:

Films and other files larger than 100MB are becoming the most requested downloads on networks around the world, said UK net analysts CacheLogic….

It estimates that at least 10 million people are logged on to a peer-to-peer (P2P) network at any time.

“Video has overtaken music,” CacheLogic founder and chief technology officer Andrew Parker told BBC News Online.

The firm has come up with its picture of file-sharing by inspecting activity deep in the network rather than just at the ports.

P2P is the largest consumer of data on ISP’s networks, significantly outweighing web traffic and every year costing an estimated £332 million globally, according to CacheLogic. [TC: This is a figure you don’t usually hear, though its calculation remains obscure.]

In the sphere of music, traditionally assumed to account for the vast majority of file-sharing, it is no longer about the big guns such as Kazaa, which has declined in popularity since being targeted by the RIAA (Recording Industry Association of America).

File-swappers have moved their attention to other peer-to-peer software, such as Bittorrent.

While the FastTrack network (which carries Kazaa ) still accounts for 24% of all P2P traffic, the lesser known Bittorrent and eDonkey together account for 72% of file-sharing, according to CacheLogic’s report…

On the release of one major Hollywood blockbuster, 30% of the P2P traffic at one ISP came from a single 600MB file.

Here is the full story. Here is (sketchy) evidence that movie downloading leads to fewer theater visits. South Koreans seem to have a special propensity to download movies.

That all being said, downloading has not been so bad for the music industry. Sales are up, read this too. What is the biggest winner? Country music. Concert revenues, supposedly the future of the music industry (“give music away for free and then tour”), are on the downslide.

My take: DVDs are currently cinematic goldmines, read here too. This won’t last forever, and part of the “rent exhaustion” will include additional movie downloads, especially from low income viewers. Hollywood will end up back in a normally profitable state of affairs. I’m all for copyright enforcement, but current violations are not (yet?) close to a critical point.

Addendum: Legal music downloads are shifting the balance toward classical music.

Spiderman in India

The character will no longer be known as Peter Parker – but will become the young Pavitr Prabhakar.

He will also have a more modest costume, wearing a dhoti, the loincloth worn by men in India.

Spider-Man would become an Indian boy in Mumbai and dealing with local problems and challenges, he added.

Spider-Man India will interweave local customs, culture and mystery to make it more relevant to the readers, set against the backdrop of monuments including the Taj Mahal and the Gateway of India.

The Green Goblin villain will be replaced by Rakshasa, an Indian mythological demon that has shape-shifting abilities.

Here is the full story. Thanks to Curtis Melvin for the pointer. And here is an Indian joke on The Simpsons.

Weekend moviegoing

I saw Hitchcock’s Vertigo yesterday, for about the sixth time in my life. I had forgotten how perverse it is, how much the theme of male impotence and voyeurism runs throughout the movie, how deeply sadistic Jimmy Stewart becomes, and how much the movie flirts with the theme of doubles (compare Scotty and Kirby, for instance, or think about Scotty’s ex-beau). I’ve been watching “Japanese extreme” cinema lately, films such as Audition, which have to be seen to be believed. Vertigo is at least as sick as any of those. Vertigo also has the most successful integration of cinematography and musical score that I’ve seen. Watch it again if you can, especially if it is shown on a big screen.

Free Market Economics Done Hollywood Style

Over at Cafe Hayek, Don Boudreaux asks, “Suppose that a movie with exaggerations on a similar scale [to The Day After Tomorrow] were made by a free-market enthusiast. That movie might contain some of the following scenes:”

A ten-cent increase in the federal minimum wage casts millions of blacks and Hispanics into permanent unemployment and despair; all of the unemployed women scrape up pennies by offering themselves as prostitutes, while all of the unemployed men swarm to the suburbs to rape soccer-moms and then riot so violently in the cities that the Empire State building, the U.S. Capitol, the Sears Tower, and the Bank of America building all crash violently to the ground, killing tens of thousands of innocent civilians, including a kindly book-peddler specializing in works by and about Ayn Rand….

Cool movie. I hope Don options the rights.

Health and Status

A number of studies have shown a startling connection between higher social status and better health, even after controlling for income, education and other factors. Some economists are skeptical, Angus Deaton, for example, suggests reverse causality may be a factor:

The major reason that people retire from the work force is that they’re sick. If you get sick in America, it does terrible things to your social status.

Two remarkable papers by Donald Redelmeier and Sheldon Singh cast some doubt on this explanation. In Survival in Academy Award-Winning Actors and Actresses Redelmeier and Singh compare the longevity of Oscar winners with nominees who did not win. The statistical hypothesis is that all that separates winners and nominees is the random fact of winning (random with respect to other factors influencing health). If winners and nominees are alike but for random factors then any differences in longevity can be causally ascribed to winning the Oscar. R and S find that winners live about 4 years longer than non-winners, a huge difference. The effect does not go away with additional controls.

Skeptics will posit other mechanisms but R and S have a lesser known but equally important paper on screenwriters who win the Academy Award. Surprisingly, they find that winning screenwriters die about 3 years earlier than non-winning nominees. At first, these two results appear to be quite contradictory suggesting some problem in the studies. But on second look there is a compelling logic to the findings. The difference between actors who win the Oscar and screenwriters is that even winning screenwriters get no respect. Who remembers a screenwriter’s name? I think it’s in the movie Bowfinger that Steve Martin says of the lovely ingenue something to the effect, “She’s so dumb she’s sleeping with the screenwriter to get to the top.” Winning screenwriters have longer and more successful careers (4 star movies) than non-winning writers so income and other material factors would suggest greater longevity but even a winning screenwriter is almost surely destined to have his lines mangled by a lousy but famous actor and perhaps this stress drives them to an early grave.

How to persuade the rich, or Cannes update

The first German film to compete in Cannes in 11 years, it [The Edukators] tells the story of three idealistic youths who break into rich people’s villas and move around their furniture, leaving behind notes with messages such as: “You have too much money.”

Their aim is not to steal from the rich to give to the poor, but to make their targets question their privileges. When they are surprised by one of the homeowners, they kidnap him and are forced to put their ideals into practice.

“I’m really happy to present this film in the country where the word revolution was invented,” Weingartner told a news conference in this French Riviera resort.

As is often the case, the remainder of the story surpasses any comment I could offer:

Critics at Cannes clapped and cheered during scenes in which the kidnappers and their victim intelligently debate how youthful idealism eventually fades.

Weingartner avoids a simplistic ending, but leaves open the possibility that each of them is changed by the experience.

Here is the full story. Here is more information on the movie. Don’t forget that the alternative title of the film is “The Fat Years are Over.”

Why no battling gods?

Troy, the movie version of Homer’s The Iliad, is out today. Here is one report, from the May 14 Entertainment Weekly:

While Pitt’s character got tweaked, the rest of The Iliad went pretty darn Hollywood. Briseis, a slave girl captured by the Greeks — speechless in Homer’s tale — becomes a royal priestess and love interest for Achilles…More notably, no gods interfere with battles in Troy. “I didn’t want them in,” says screenwriter Benioff.

The screenwriter notes that activist gods would make the movie too much like The Clash of the Titans. My rhetorical question for the day is why clashing polytheistic gods make for a less broadly saleable story than do human heroes. And does this help explain why monotheistic religions have been growing at the expense of polytheism for some time now?

Thanks to Yana for the pointer to the EW article.

Opening at Cannes

The Cannes film festival starts this week, despite a threatened labor disruption. Yesterday I learned that the term Asia Extreme, the hot style in world cinema right now, has been copyrighted. “Asia Extreme” movies view John Woo as a quaint forefather and go much further in terms of throwing the book away. Are you interested? I’ll recommend Battle Royale for horrific Hobbesian violence, and The Audition for shocking sexual drama. Both are Japanese, and neither is for the fainthearted. But if you feel jaded by most movies, a bit bored, and are looking for something conceptual, this is definitely the next step.

Free trade with Australia?

It is widely known that the United States and Australia have been working on a free trade treaty. It is less widely reported how the treaty would handle culture. The Australian government feels it has been taking an unpopular stance, and has been reluctant to publicize the likely outcome. So what might the treaty bring?

The proposed deal caps the amount of local [Australian] content at existing levels of 55 per cent on free-to-air commercial television and 25 per cent for commercial radio, and at 10 per cent on pay TV.

If the government reduces these content levels, they cannot be raised again.

The deal also prevents the government from regulating local content levels for new media without consulting the US, which can challenge any proposed changes.

McLeod’s Daughters actress Bridie Carter told the hearing that the agreement would trade away Australia’s cultural identity.

That’s 55 percent local content, Bridie, hardly the death of Australian culture. Why not just shut out American TV altogether? And what does 2004 hold for Bridie’s show McLeod’s Daughters?

Life on Drovers Run in 2004 offers new faces and unexpected surprises [sic], heartache and laughter, and for two-star-crossed lovers, a wedding.

How about this remark:

“The Free Trade Agreement … threatens to reduce what is left of the vibrant Australian voice to a mere whisper in the future.”

In reality Hollywood gives Australian directors and stars a world platform that they otherwise would not have. Peter Weir, Russell Crowe and Mel Gibson earn huge box office around the world.

Here is the full story.

By the way Pat Boone just issued a call for cultural censorship. When will it become clear that cultural protectionism is simply another attack on free speech?

Here is a recent article on the (slow) progress of U.S.-negotiated trade agreements around the world.

DVD facts and quotations

1. “Between January and mid-March this year, Americans spent $1.78 billion at the box office. But in the same period they spent $4.8 billion…to buy and rent DVD’s and videocassettes.”

2. “There’s not a sector of the entertainment industry to which DVD is not a significant, if not the dominant, contributor of revenue…”

3. Nowadays “basically the movies are commercials for the DVDs.”

4. “What no one knows is how long the windfall will last…”

5. “…in five years when you can download a movie as fast as a song, that will go away.”

Here is the full story. Here is my earlier post on the boom in DVD revenue. Here is a related post on the decline of the audience for television programs. Here is an article on the future of Netflix.com. Here is an article on the new paper DVD, yes you read that correctly.

Markets in everything, yet again

The new cinema in the Norwegian town of Kautokeino is somewhat out of the ordinary. Not only is it entirely made out of snow – it is a drive-in. For snowmobiles.

“We always wanted to create a different film experience,” explains Anne Lajla Utsi, the leader of the Kautokeino Sami film festival.

“As far as we know, this is a world first.”

Here is the full story.

And that’s not all. You sit on reindeer skins, you can buy reindeer meat and hot drinks at the snack stand (no ice cream!), and yes the screen is made of snow also.