Robert Parrish could not much push him away from his preferred spots on the floor, but due to snow we are altering the venue:
Westin Arlington Gateway, F. Scott Fitzgerald Ballroom (2nd floor), 801 North Glebe Road Arlington, VA
Tuesday, January 26, 2016, 3:30 p.m. – 5:00 p.m.
At the event, you can participate in the conversation by tweeting your questions and comments using the hashtag #CowenKareem.
You can watch the event online at mercatus.org/live
Halfaker, Geiger, Morgan, and Riedl have a new paper on this topic (pdf), here is the abstract:
Open collaboration systems like Wikipedia need to maintain a pool of volunteer contributors in order to remain relevant. Wikipedia was created through a tremendous number of contributions by millions of contributors. However, recent research has shown that the number of active contributors in Wikipedia has been declining steadily for years, and suggests that a sharp decline in the retention of newcomers is the cause. This paper presents data that show that several changes the Wikipedia community made to manage quality and consistency in the face of a massive growth in participation have ironically crippled the very growth they were designed to manage. Specifically, the restrictiveness of the encyclopedia’s primary quality control mechanism and the algorithmic tools used to reject contributions are implicated as key causes of decreased newcomer retention. Further, the community’s formal mechanisms for norm articulation are shown to have calcified against changes – especially changes proposed by newer editors.
This is an interesting paper, but I think it undervalues the hypothesis that potential contributors simply prefer to be in on things which are both new and cool. Wikipedia, which is no longer new, cannot be so cool. That is why Beethoven’s 5th does not top the pop charts, though if it were new it might.
For the pointer I thank David Siegel.
According to Witold Rybczynski, it is partly a matter of size and shape. Older halls were more likely in a shoe-box shape, such as Musikvereinsaal (1870),the Concertgebouw (1888), and Symphony Hall (1900). The orchestra is at the narrow end of the hall, and “Sound is reflected to the listener from the two parallel walls (which are about sixty to eighty feet apart) as well as from the ceiling. Because the concertgoer is relatively close to the musicians, the atmosphere is intimate, visually as well as acoustically.”
The need for greater seating capacity, because of revenue, swells the halls to as large as 3,000 seats and renders these properties more difficult to achieve. Most of all, it is now difficult “to reflect bass notes from the side walls.”
Different halls also have different “reverberation” times, and thus the more that a hall is used for different kinds of music, the more the design of that hall reflects a compromise. In theory there should be different halls for playing Gorecki and Bach, so an all-purpose hall will sound ideal only rarely.
That is all from his new book Mysteries of the Mall and Other Essays, pp.188-192.
Bryan Caplan is homeschooling his twin sons, and some of that involves bringing them into Carow Hall and GMU to hang around the rest of us. They are perhaps the only twelve year olds taking an advanced undergraduate class in labor economics; I think they can handle it.
Bryan asked if I would give them a lecture of sorts, of course I sad yes, and, oddly or not, he chose the topic of Art History for me (others around know some economics too, so perhaps that is indeed my comparative advantage). I found it an interesting exercise to ponder what I would start telling them about, given they have virtually no background in the area, and perhaps I’ll get back to that in a future post.
In the meantime, I have two general points. First, introducing your children to additional role models and sources of inspiration — your friends and co-workers, or so one should hope — is one of the best things you can do for them. Most wealthy, famous, and well-educated parents under-invest in this activity. The bottom line is that after some margin you stop influencing them, but they don’t stop looking around for sources of influence.
Second, if you are well-known, or have lots of well-known and/or talented friends, or maybe even if not, you should consider homeschooling your children for a while in this manner, if only for a month or two over the summer. Your friends will be willing to give some form of instruction to your children, and they will be way, way better than normal teachers.
My next lecture for Bryan’s children will be History of American Popular Song, complemented with musical tracks of course, though no singing.
Addendum: Here are comments from Stationary Waves.
The average scientist is not statistically more likely than a member of the general public to have an artistic or crafty hobby. But members of the National Academy of Sciences and the Royal Society — elite societies of scientists, membership in which is based on professional accomplishments and discoveries — are 1.7 and 1.9 times more likely to have an artistic or crafty hobby than the average scientist is. And Nobel prize winning scientists are 2.85 times more likely than the average scientist to have an artistic or crafty hobby.
For pointers I thank Samir Varma and Robert Wiblin.
On my iPhone are 55 albums by Bob Dylan, 16 albums by Leonard Cohen and 34 albums by Steve Earle. That’s all I listen to. It’s the storytelling in their lyrics. Dylan’s album “Tempest” is one of his best. The title song is a haunting 14-minute song about the sinking of the Titanic. I have every one of his albums except the last one where he interprets Frank Sinatra. That was out of line. He must have needed money. And I actually bumped into Steve Earle at the airport and introduced myself. My wife was just disgusted that I’d go and bother him, but he was very receptive. No, I did not tell him I developed the volatility indices.
Here is the rest of the interview.
Jamali was born in Germany on Christmas Day but raised in Homs, Syria. He studied piano at the Arab Institute of Music in Damascus and later in Moscow with Victor Bunin. In 1995 he won a scholarship to attend the North Carolina School of the Arts, and received a Master’s from the University of North Carolina in 2004. He has had an active career as a pianist and composer and has lived much of his time in Atlanta, now being a U.S. citizen. Many of his pieces combine Middle Eastern musical modes with traditional Western harmonies.
He was honored with the GUSI Peace Prize in 2013 for his efforts on behalf of peace and humanitarian causes, most of all helping to raise money for Syrian children. Not long ago, he received a “Great Immigrant” award from the Carnegie Corporation.
After performing at the White House in 2011, and also playing at a protest, and speaking out against the Syrian regime, Jandali’s parents were severely beaten and their home in Syria was ransacked, it is believed by Syrian security forces.
Eventually his parents fled Syria, and now they are relocated in Roswell. That was possible because Jandali is an American citizen. Otherwise…?
Currently it can take up to two years to process a refugee application from Syria, and of course most people do not have much chance of success through this route.
I very much enjoyed this Live Chat, and I thank the participants for all of their stimulating questions and remarks. Here is one excerpt:
How do you think your career and life would have been different if blogging, twitter, and digital media had be ubiquitous in your teens and 20’s? Would you have still pursued an academic path or would you have become a full-time columnist/commentator/speaker earlier on? I seem to recall you saying at one point that you’re glad the internet didn’t exist early on in your life as it gave you the time to read the classics and develop a substantive base of knowledge.
I am glad I was forced to live in “book culture” and “meat space’ for my first forty years. Or maybe thirty-five years would have been enough. People these days have lost the sense of information being scarce, and counterintuitively that makes it harder for them to develop profound thoughts. It’s like practicing chess by asking the computer right away, all the time, what the right move is.
[and later] …contemporary academic is overly bureaucratized and there is a very good chance I would [if I were starting today] look for another model of success and contentment. It is an open question whether or not I could find one. Whatever its limitations, there is still a followable formula for academic success, which of course is part of the problem.
Other topics include when is the best age to live in various parts of the world, Alban Berg and Rilke, Marc Andreessen, my one hidden talent, Rene Girard, labor market networks, optimal travel into the past, and which is the most underrated or overrated wisdom tradition. Do read the whole thing.
Food has replaced music at the heart of the cultural conversation for so many, and I wonder if it’s because food and dining still offer true scarcity whereas music is so freely available everywhere that it’s become a poor signaling mechanism for status and taste. If you’ve eaten at Noma, you’ve had an experience a very tiny fraction of the world will be lucky enough to experience, whereas if you name any musical artist, I can likely find their music and be listening to it within a few mouse clicks. Legally, too, which removes even more of the caché that came with illicit downloading, the thrill of being a digital bootlegger.
Once, it felt like watching music videos on MTV was a form of rebellion in plain sight. Nowadays, the channel doesn’t play any music videos. Instead, we have dozens of food and cooking shows, even entire channels like The Food Network dedicated to the topic. Chefs have become elevated to the status of master craftsmen, with names that have risen above the status of their restaurants, and diners revere someone like Jiro of Jiro Dreams of Sushi fame the way a previous generation worshipped the guitar sound of a rock god like Jimi Hendrix.
The food scene today offers a seemingly never-ending supply of scarce experiences, ingredients, and dishes. Cronuts you have to wait in line for a few hours to get your hands on. Pop-up restaurants that serve only on a few nights a week for a few weeks, then disappear forever. Restaurants that you have to sacrifice a goat to just to get a reservation, and then they’ll actually take that goat you killed and prepare your entire dinner from it, nose to tail. A white truffle add-on that tacks $80 on to a single piece of cured hamachi, and oh, the truffle is only available for four weeks a year and came over on a gondola from Alba, Italy, and the hamachi is one of the last of three members of its species so you know, you should probably try it before…oops, sorry, the chef says someone just ordered the last of it. Yep, it’s that couple at the corner table, and that’s the last plate that she’s Instagramming right now.
That is from Eugene Wei, with more of interest at the link, via Graham Rowe.
According to the O.E.S., songwriters and music directors saw their average income rise by nearly 60 percent since 1999. The census version of the story, which includes self-employed musicians, is less stellar: In 2012, musical groups and artists reported only 25 percent more in revenue than they did in 2002, which is basically treading water when you factor in inflation. And yet collectively, the figures seem to suggest that music, the creative field that has been most threatened by technological change, has become more profitable in the post-Napster era — not for the music industry, of course, but for musicians themselves.
That is from Steven Johnson, the piece is excellent throughout. And note this:
The new environment may well select for artists who are particularly adept at inventing new career paths rather than single-mindedly focusing on their craft.
Pretty much anyone can be a ‘rock star’ these days — except actual rock stars, who are encouraged to think of themselves as brands.
That is from Carina Chocano, the entire article is good.
Loyal MR readers will know that I deliberately avoid a lot of topics related to political candidates, if only because they bore me and they are covered too much elsewhere. But I did enjoy this article. First prize goes to Carly Fiorina:
Before heading off to UCLA law school, Carly Fiorina once toyed with the idea of becoming a concert pianist.
I don’t have to tell you who comes in last…
Let’s stick with the living, here are a few who come to mind:
Charles C. Mann
Laura Miller (formerly of Salon.com, now of Slate)
Ted and Dana Gioia
Chow Yun Fat
To be clear, I am not suggesting these people are deficient or lacking in status, rather that it should be higher yet. Or maybe it is the list of people who should decline in status which interests you more…
1. Painter: Marko Čelebonović. Plus lots of the art in the monasteries.
3. Author: Danilo Kiš, the Serbian Borges. Or how about Milorad Pavic, Dictionary of the Khazars, which somehow seems to have fallen through the cracks since the time of its publication. Ivan “Ivo” Andrić is the Serbian Nobel Laureate, sort of, he espoused a Serbian identity but actually was Bosnian.
4. Actor and director: Emir Kusturica. Recently he has disappointed, and taken flak, for having supported Putin’s invasion of Ukraine. He is still an impressive creator, however, and is also an accomplished musician and author. Did I mention that he espouses a Serbian national identity, and has converted to Orthodox Christianity, but originally was a Bosnian Muslim?
5. Actress: Milla Jovovich, most of all in Fifth Element and also Resident Evil, she is part Serbian.
6. Economist and blogger: Branko Milanović.
7. Sports: Lots of tennis players, plus Pete Maravich was of Serbian descent.
Other: Tesla was ethnic Serbian though born in Croatia. American poet Charles Simic was born in Serbia, though he moved to the United States at a young age.