Category: Music

Further thoughts on the TSA debates

The biggest flying/airport outrages are a lack of markets in allocating scarce resources, and the resulting unacceptable airport and flight delay problems in places such as JFK and LaGuardia.  Next come airlines which ruthlessly screw you over, repeatedly, and lie to you and mistreat you.  I do understand the trade-off and prefer the lower prices and fewer quality assurances; still, you can object to their behavior at the margin — it's often unethical.  Let's get worked up over these problems first.    

I view good scans as, in the long run, a substitute for patdowns.  One option is to have very very good scans, nude "photos," fewer patdowns, and to have Americans shift to a more European attitude on nude bodies.  There's even an available status attitude where you don't mind or notice the scans, much as the King allowed himself to be dressed and handled by commoners.  That's the intelligent argument for the current shift in policy.  Maybe the enhanced scans simply aren't useful or maybe Americans can't or won't shift their norms.  Those would be reasons not to do it (and I am not pronouncing a definitive opinion here) but it's simply not, in principle, that objectionable of a policy.  There's a locked-in structure which prevents a competitive test of safety levels and so all alternatives are coercive in some manner, including the difficulty any airline would face in attempting an even more restrictive set of security procedures.

It's worth asking how intrusive a search markets would provide, but keep in mind there are significant negative externalities from exploding airplanes and also there are government bailouts which limit the downside.  Furthermore companies do not always care enough about "extreme negative skewness," as we have learned in financial markets and thus there is a case for regulating a tougher security standard.

Hovering in the background is the reality that a few successful downings will kill many people and furthermore probably wipe out the insurance market and thus lead to nationalization of the airlines.  It's not clear what the freedom-enhancing path looks like and there is no default setting of market accountability.  It's "elephant interventions" all the way down. 

It's worth comparing the current American response to earlier British crises (IRA troubles, and eventual CCTV) or for that matter Israeli responses to Palestinian suicide bombings.  In these kinds of situations something has to give — usually by public demand for better outcomes more than a state usurpation of power.    

I would not say that "we are now at war with the terrorists" but our situation has some war-like elements.  Any persistent war has required major social changes, if only temporary ones, in how the body is viewed and handled.  If we are so unwilling to even consider these changes in body viewing norms, I wonder how we will respond when scarier events happen, as they likely will.  

The funny thing is this: when Americans insist on total liberty against external molestation, it motivates both good responses and bad ones.  It supports a libertarian desire for freedom against government abuse, but the same sentiments generate a lot of anti-liberal policies when it comes to immigration, foreign policy, torture, rendition, attitudes toward Muslims, executive power, and most generally treatment of "others."  An insistence on zero molestation, zero risk, isn't as pro-liberty as it appears in the isolated context of pat-downs.  It leads us to impose a lot of costs on others, usually without thinking much about their rights.

The issue reminds me of the taxation and spending debates; many Americans want low taxes and high government spending, forever.  For airline security, at times we want to treat it as a matter of mere law enforcement, to be handled by others, and one which should not inconvenience our daily lives or infringe on our rights.  At the same time, so many Americans view airline security as a vital matter of foreign policy and indeed as part of a war.  We own and promote this view and yet we are outraged when asked to behave as one might be expected to in a theater of war.  

The main danger to liberty here is not the TSA but rather a set of American attitudes which, at the same time, take our current "war" both far too seriously and also not nearly seriously enough.

Overall, I'd like to see less posturing in these debates and more Thucydides.

Meta-list of *Fanfare* classical music recommendations

I've read through the November/December issue of Fanfare, in particular the Christmas Want Lists, as I do every year.  These are the new releases which appear on more than one list:

1. Stephen Hough and Osmo Vanska, playing the Tchaikovsky piano concerti.  This was the only item selected by three critics.

2. John Butt, conducting J.S. Bach, Mass in B Minor, Joshua Rifkin style.  This is the recording which is supposed to convert the unpersuaded to the minimalist vocal approach.

3. Dennis Russell Davies, conducting Haydn's complete symphonies.  Elevated for the sake of completeness, no one is saying it is better than Dorati.

4. Volkmar Andreae, conducting the Bruckner symphonies and Te Deum.  Remastered mono from the 1950s, supposed to be perfection.

5. Robert Schumann, Carneval, Kreisleriana, Arabeske, by Vassily Primakov.

I have found Fanfare Christmas lists to be a very reliable source of excellent music.

Richard T. Gill

Richard T. Gill, in all statistical probability the only Harvard economist to sing 86 performances with the Metropolitan Opera, died on Monday…He was 82.

The article is here.  Gill wrote many widely used texts and oddly he did not begin vocal training until he was almost forty. Up until that point, he had little acquaintance with classical music and he smoked two and a half packs of cigarettes a day.  He first performed in a staging of Figaro at Harvard, directed by John Lithgow and conducted by John Adams (the John Adams).  Later, he was in the world premiere of Philip Glass's Satyagraha.  Gill continued to write and edit textbooks throughout his singing career.

In 1971 he gave up his tenure at Harvard.  In 1984-85 he hosted a 28-part PBS show on economics.  In the 1990s he wrote two books, one on population the other on the decline of the American family.  Here is Gill's proposal for a Parental Bill of Rights.  His short stories for Atlantic Monthly and The New Yorker were widely anthologized and in 2003 he published his first novel.

Here is his home page.  At the time of his death he was working on a three to four-volume autobiography.  As a Harvard undergraduate he was a successful boxer and somehow he ended up as an Assistant Dean at Harvard by age 21 and later Master of Leverett House.

Rip-off

The iTunes version of 4'33" offers all three movements, a snip at $1.99.  Strangely, they only add up to 4'31".  You might have thought a duration of four minutes and thirty-three seconds the minimum prerequisite for a recording of 4'33": apparently not.

That is by Wesley Stace, from his review "Hush Now: The silent of music and the music of noise," TLS 15 October 2010.

Futile (yet worthy) markets in everything

If someone doesn't like a band or artist, they would usually just ignore their music, but James Burns hates Weezer so much he's willing to raise millions to get them to hang it up for good. Seattle native Burns launched an online fundraiser to collect $10 million in hopes of sending Weezer to early retirement, The Stranger reports.

Despite only raising $12 to this point, Burns' plea to Weezer isn't so much about his own feelings for the band but rather the anguish the group causes his friends who keep waiting for the band to produce a monumental album like 'Pinkerton' and their debut, the so-called 'Blue Album.'

"This isn't about me. This is about Weezer fans," Burns wrote on the website. "This is an abusive relationship, and it needs to stop now. I am tired of my friends being disappointed year after year."

Patrick Wilson, drummer for Weezer, played along and responded on Twitter asking Burns to raise the stakes.

"If they can make it to 20, we'll do the 'deluxe breakup!'" Wilson tweeted.

The Stranger then interviewed Burns, and he says he's willing to stick out for the long haul until he raises the money. As for the angry fans attacking Burns, he doesn't mind them so much.

"I am not afraid of Weezer fans," Burns said. "I can take it. Besides, I'm doing this mostly for them."

For the pointer I thank Michael Greenspan.

*Listen to This*

She [Mitsuko Uchida] tells of how she once tried to get [Radu] Lupu to visit Marlboro.  "I got every excited, describing how people do nothing but play music all day long.  But he said no.  His explanation was very funny. "Mitsuko," he said, "I don't like music as much as you."

That's from the new book on music by Alex Ross.  It's not a comprehensive tour de force like The Rest is Noise was, but it is smart and well-written on every page and if you liked the first book you should buy and read the second.  The portraits cover, among others, Radiohead, Bjork, John Luther Adams, Marian Anderson, Lorraine Hunt Lieberson, and Uchida.  The chapter on Bob Dylan is especially good and it eclipses Sean Wilentz's entire recent book on Dylan.

Markets in everything

Music lovers can now be immortalised when they die by having their ashes baked into vinyl records to leave behind for loved ones.

A UK company called And Vinyly is offering people the chance to press their ashes in a vinyl recording of their own voice, their favourite tunes or their last will and testament. Minimalist audiophiles might want to go for the simple option of having no tunes or voiceover, and simply pressing the ashes into the vinyl to result in pops and crackles.

The full link is here and I thank VaughanBell and also Allison Kasic for the pointer.  Occasionally I've wondered whether my funeral ought not to consist of playing a recording of Brahms's Ein Deutsches Requiem (loudly) and then asking everyone to leave.  This innovation puts a new slant on that idea.

Are there hidden codes in Plato?

Take this one with a grain of salt, but here is the latest:

Kennedy's breakthrough, published in the journal Apeiron this week, is based on stichometry: the measure of ancient texts by standard line lengths. Kennedy used a computer to restore the most accurate contemporary versions of Plato's manuscripts to their original form, which would consist of lines of 35 characters, with no spaces or punctuation. What he found was that within a margin of error of just one or two percent, many of Plato's dialogues had line lengths based on round multiples of twelve hundred.

The Apology has 1,200 lines; the Protagoras, Cratylus, Philebus and Symposium each have 2,400 lines; the Gorgias 3,600; the Republic 12,200; and the Laws 14,400.

Kennedy argues that this is no accident. "We know that scribes were paid by the number of lines, library catalogues had the total number of lines, so everyone was counting lines," he said. He believes that Plato was organising his texts according to a 12-note musical scale, attributed to Pythagoras, which he certainly knew about.

Do note this:

Kennedy believes his findings restore what was the standard, mainstream view which held for 2,000 years "from the first generation of Plato's followers, up through the renaissance". This held that "he wrote symbolically and that if you worked hard and became wise you could understand the symbols and penetrate his text to his underlying philosophy." Only in the last few hundred years has an emphasis on the literal meanings of texts led to a neglect of their figurative meanings.

It also explains why it is that Aristotle, Plato's pupil, emphatically claimed that Plato was a follower of Pythagoras, to the bafflement of most contemporary scholars.

I used to consider allegiance to this idea (Montaigne, also, for symbolic codes) as one of my absurd beliefs, but maybe now it is looking better.  I will have to look elsewhere.